Author Archives: TheAuthor

The Once and Future King by T.H. White

Loved The Sword in the Stone. No plot, but supremely entertaining. They kinda went downhill after that. Especially once Merlin left. A lot of the humor and absurdity that made the first part so good disappeared. And that fit the story, but it was a hard loss still. As it went it seemed to become more and more of an essay on Arthurian legend and less a story. He spent a lot of time explaining the way things were, why characters acted the way they did. At times he even told us outright to pay attention and know what this meant. At one point he pressed on us to know that what just happened was the cause of what would happen later and that this was extremely important. I was not expecting that going in, so it was a bit of a let down.

What I loved, especially early on, was the humor. I just kept finding passages that I wanted to record because I cracked up at them. Again, as the story went on and got darker, that went away. I also liked how it felt like he was just sitting there telling a story. He made references to modern day things and told us how it was similar and differebt than modern day life. It had a real informal feel to it, which I rather enjoyed. Until it became an essay. Again, maybe I just wasn’t ready for it and wasn’t in the right mindset for it, but it started to lose its appeal then. The tone shift fit the story, but still…

The last book did redeem it some. It got off to a rough, very dense, start and ended with the musings of an old man, but in between it got quite personal and emotional. It made me like and care about characters I hadn’t yet liked or didn’t like anymore.

I hadn’t read much Arthurian legend before and my exposure to it is mostly in film and TV (Monty Python, King Arthur, Merlin) so it was cool to read this and see the difference. I always read with my phone by me and I regularly looked up other versions of the story to see how he changed it. I also needed the phone for its use as a dictionary. Whole lotta new words in there and unknown references (still feel like I didn’t understand a large chunk). But it was cool seeing who these characters I’d heard the names of were.

Overall, I give it a 3.5/5. The Sword in the Stone was a solid 4.5 at least and The Candle in the Wind was up to a 4, but I can’t bring myself to rank the rest so high.

Red Rising by Pierce Brown

2/5 stars. Will not be continuing with the series. I listened to it pretty fast, faster than other books I like more, but my motivation for that was really just to be done with it. “Only this long left” was my thinking on it. I wanted to finish to start another.

For most of the book I didn’t care about a single character. I didn’t like Darrow much. He seemed to always have the answer and could be exactly what the situation called for. I also found the idea of the story intriguing, but did not get invested in it at all. And I think both are symptoms of the writing style.

He told us everything. I think the most common writing advice out there is “show don’t tell.” He did the exact opposite. (You could argue the same about LotR and The Once and Future King, but those feel like a guy sitting around a fire telling you a story he knows, this feels like watching a story through a character’s eyes and he’s telling you how you should interpret everything and feel about it.) Another common piece of advice is “no info dumps, especially in your first chapter.” The first several chapters were one huge info dump. He felt the need to tell us every single thing about the world and characters and their relationships before the story even started. I got so bored in those early chapters. And it didn’t get much better, because, while the story started moving, it still felt kinda like an info-dump because he simply told us everything. Even in the rare time that he did show something, he then immediately stated it. He never left anything implied. Way too many ‘am’s and “beacause’s and ‘is’s. “I feel this” “I am this” “he feels this” “I think this” “I am right”. He force-feeds us everything. He tells you how to feel about the characters, which just makes me feel nothing at all. And he used a lot of similes and statements I think were intended to be literary and smart but just sounded ridiculous to me.

Some specific (non-spoilery) examples:

There was a character at one point that he apparently formed a connection with and she gave him something and he like asked her master to be nice or something in what I think was supposed to be a touching scene. I don’t even remember her name, but I just thought “wait… Have we even heard this girl talk before? But we’re supposed to care about her and their relationship?”

“They are afraid of us.”
“I am angry.”
“I want to punch him.”
All super easy to show through actions and descriptions. And every other sentence was like that.

I didn’t write down the similes I cringed at, but there were a lot.

In one listening session (the last one) I heard the following:
“She smells like smoke and hunger.”
“She tastes like she smells, like smoke and hunger.”
“It smells like earth and siege.”
“He reeks of power like pinks reek of perfume.”
“His pride reeks.” (The same guy who, a few sentences before, reeked of power)
Who can tell me what hunger, siege, power and pride smell like and why he was so obsessed with smells?

Overall, an interesting story, but most (not all) of the characters were bland. And the writing style hurt to listen to. And that made both the characters and story that much more bland. Maybe I’m just too old or something. I won’t tell you not to read it, but I have a long list of books I would recommend first.

Operation Smolder Part 2

Read Part 1 here
—————–
 
 

You need to move in ten seconds, Leep tells me.

“Is our cover blown?” Lead asks.

“I stopped the alert before it sent, I’ll stop the destruct,” Nerd says.

“Are you sure?”

Go now.

I stay rooted in the spot for half a second, my attention fixed on listening for Nerd’s response. But it doesn’t come. I walk up the edge of the crater, toward the coming Enforcers. My head peeks up over the ridge, just high enough to see the base of the array and where the UDS ship will be landing. I stop there, Wilson at the head of the Enforcers, two feet ahead of me.

Before either of us can say anything, Nerd’s song starts in my ear again. This time nobody says a thing. Leep keeps the volume at background noise.

“I thought we were going to be left alone to test out weapons,” I say to Wilson.

“The situation has changed, we need you to come back to the outpost,” the Lead Enforcer says.

“And why is that?”

Wilson’s gaze darts over to the circle of guards awaiting the UDS ship. “We’re about to have company, which may be less forgiving of weapons testing here.”

I falter in my response as Lead says in my ear, “Nerd, do we need to evacuate?”

The humming finally changes songs, to something faster.

Wilson speaks again, not giving me a chance to recover from my falter. “Where is the rest of your crew?” he asks. Three of the Enforcers directly behind him shoulder their weapons.

“They went to see how far the terraforming goes,” I say, putting on the most sincere expression I can manage. He doesn’t seem to believe me.

“Wherever they are, call them back. We need to-,” he stops, eyes turning up. “Shit.”

The UDS ship has arrived. I look over my shoulder to watch the sleek gray ship slow to a hover and lower to the ground inside the circle of guards. The bright red, stylized UDS logo almost glows among the bleak colors of the ship and asteroid.

“Nerd?” Lead’s voice is still calm, but that could just be how his AI is transmitting his thoughts.

“Get out, I’ll keep trying to stop it,” Nerd says, interrupting the humming in the background.

“Not a chance,” his sister says.

I bite my tongue, forcing my face to remain neutral. Turning back to Wilson, I say, “Unified Defense and Security. What are they doing here?”

“We don’t know, but we need to move,” the Enforcer says. “I ask again, where is your crew?”

I look over my shoulder again, feigning searching for them. In reality I watch the back of the UDS ship open and men start to pour out. Most of the guards are approaching them, leaving one watching me and the Enforcers.

“We can’t get out anyway,” BB says in my ear. “There are guards in the hall.”

A breath to compose myself and I say, “I’m not sure where they are. They went that way.”

“Call them back, before the UDS get too suspicious of us,” Wilson says.

He makes a good point. I step toward Wilson, turning all the way around, making it appear as though I’m aligned with him. At least I hope that’s how it appears. “Alright,” I say and touch my earpiece as though it will turn on a mic. “Wilson is here and says we need to leave.”

“Does that say fifteen seconds?” Breach asks. “Fuck.”

I bite my lip and force my eyes to stay in the direction I told Wilson the team had gone. But in the corner of my eye I watch the array, waiting for the explosion.

“Well?” Wilson asks.

I can’t unclamp my teeth from my lip. My team is about to die and I, Guardian, can’t do anything about it.

“Well?” Wilson repeats. His rifle barrel raises a couple of inches.

“They’re coming,” I force out.

The UDS team has exited the ship, all ten of them. Unfortunately, they are too far away for any of them to be taken out in the blast that is about to wipe out my entire team.

“Thank God,” Lead says.

The release of tension in my body must be noticeable, for Wilson says, “What’s happening?”

“One of their grenades almost went off,” I say. “But they stopped it. They’ll be here in a minute.”

“Guardian, our mission is a success, but we’re going to need a distraction if we’re going to get out,” Lead says.

I shoot a sideways glance at Wilson. He has a solid hold on his rifle’s grip. The three Enforcers behind him still have their weapons tucked to their shoulders.

What did Wilson say about messing with the array? I ask silently.

“Don’t do it and it won’t mess with us,” Breach says.

Right. Get ready.

Leep says, Just the one guard has seen them drawn on you.

Distance, wind and gravity information pop onto my glasses and the guard watching us gets outlined in red.

I snap my DMOTER to my shoulder and squeeze the trigger. As soon as the rifle has recoiled against my shoulder, I drop to one knee, out of sight of the array behind the ridge. The red outline blinks out, confirming the only guard that knew I wasn’t an Enforcer died.

“What-,” Wilson is cut off as a fusillade of bullets answers my shot.

I spin around, swapping my DMOTER for my PDW. With two quick bursts I drop the only two Enforcers paying me any attention. The others are all scrambling for cover.

“Was our mission just compromised?” Lead asks.

We’re clear as long as you can get out without being seen. Just know there’s a firefight out here, I think.

“Whatever you did, it cleared our path. Meet us at the outpost.”

I jump to my feet and dash away, past the Enforcers. As I crest the crater, I shoot a glance over my shoulder at the UDS team. They are advancing toward our position. And their ship is firing back up.

Taking full advantage of the lighter gravity, I bound down the next crater with large leaps. The Enforcers must be too fixated on the UDS team, because none of the dozens of shots echoing across the barren asteroid come my way and soon the woods loom ahead.

I have to turn lateral to the trees, avoiding the road as it fills with people drawn by the sound of gunfire. None of them see me as I slip into the undergrowth, just in time as the UDS ship lifts off the ground and hovers over the firefight.

The ship rotates. And a minigun unfolds from the front. It spins up.

Shouts erupt from the crowd on the road. It thins out, people darting back into the woods, toward the landing field, either to escape or get their weapons.

I touch a link in my belt, calling for the shadows to be pulled over me, and creep through the trees, parallel to the road. The whirring of the minigun follows me as it mows down the Enforcers and moves toward the outpost.

“We need to get out of here before the outpost is destroyed,” Lead says. “Guardian, meet us at the landing field. Quickly.”

Abandoning all attempts at stealth, I straighten up and dash toward the ship. Undergrowth threatens to trip me with every step and low branches grab at my headset and clothes, scratching me with their rough fingers. But I don’t dare use the road, which is flooding with people rushing in both directions. Half of the people are armed now. A few shots go off, aimed to the sky, and the crowd parts. Several men rush through the gap, toward the array.

I chance a look over my shoulder as I enter a clear part of the woods. Smoke curls into the air from the edge of the outpost. It swirls out of the way of the UDS ship, which unleashes another barrage from its minigun. Weapons from the ground return fire, to little effect.

Back into the thick woods, I continue running. A building goes by on my left, and I leap across its worn-down path. A thick patch of undergrowth forces me to detour away from the road. I circle back around and continue on my straight path.

My breath begins to come heavier, my muscles fatiguing. Light gravity can only help so much. Conditioning takes over. I don’t slow.

Then I burst out of the trees. I skid to a halt.. The terraforming building looms up ahead of me. Surrounded by a dozen armed men. All of which aim their weapons at me.

“Who are you?” one of the men demands.

I let my DMOTER hang by its strap and hold up my hands. “Just trying to get back to my ship and get off this rock before they kill us all,” I say.

None of the weapons lower. A few of the men exchange looks. One peers back at the building.

“They aren’t going to harm the terraformer,” I say. “They need it for their array. Your best bet is to get out of here before they kill you all.”

“That sounds like something someone who wants the terraformer would say,” says the same man who asked who I am. He moves his finger onto the trigger.

Shit.

“Look,” I say, “I’m just going to my ship. I will leave right now. Just don’t shoot me.”

That seems to be a doable suggestion as the man removes his finger again. Then his eyes go to my rifle.

“Wait. You’re the guy Raiden spoke to. The one with the, what was it, Demoter?” His finger goes back to the trigger. “You know, he’s been loading up everything he can since you arrived. And now our outpost is getting destroyed.”

Something behind me explodes with a concussive blast that shakes leaves clear of the trees. I flinch as the shockwave hits me in the back. The men around the terraforming building also flinch, and worse than I do.

I drop to a knee and swing my PDW to my shoulder. With one spray I down three of them. Before the others can recover, I race back into the woods. A few yards in, I slow, allowing the shadows to envelop me again. They won’t be able to see me now no matter how hard they search, not from a distance, among the trees.

But that doesn’t stop them from trying to kill me. Bark splinters from a trunk in front of me, sent flying by a bullet. A leaf over my head gets ripped right off the branch by another. Time to go. And not on the straight route.

Staying low, I move as fast as I dare away from the road and the building, perpendicular to the direction I want to go. Bullets continue to tear the woods apart, but, after a minute, I am out of the danger zone; they didn’t see me moving. I turn back toward the landing field. Now I just have to get there before-

Smoke billows above the treetops ahead of me. Flames leap toward the sky.

It isn’t the landing field, it’s the warehouses. The fighting is all behind you still, Leep assures me.

With a quick thought of gratitude, I move on, adjusting my course yet again away from the landing field and around the burning buildings.

The others are going to beat you to the ship, Leep says.

Trusting that I am again out of sight of any of the outpost’s residents, I straighten up and hurry on. The crack and crash of the burning warehouses takes over the sound, overpowered only by the tattoo of gunfire behind me. The latter is more sporadic now.

I skirt as close to the fire as tolerable. The heat oppresses me as I move through the flickering light. I breathe lightly, keeping my throat and lungs clear from the smoke as much as possible, an attempt mostly in vain.

Something inside the warehouse explodes, throwing burning chunks of wall into the woods around me. The undergrowth catches fire.

They’ve made it to the field, but there’s a problem, Leep says.

In response to my unspoken question, Lead’s voice comes through my earpiece. “We don’t want trouble,” he says. “We didn’t sign up to be in a gunfight, so we’re out of here.”

“I know better than that,” says another voice, probably picked up by a mic and amplified by Leep. “I know who you are.”

An image appears in the corner of my glasses, security footage of the field. I check it as I shuffle away from a bush that ignites in front of me.

My team is in the field, weapons raised. They are surrounded by a good dozen men, also with weapons raised. One man stands in front of Lead, a pistol in hand. Raiden.

A root trips me. I focus again on running and listening.

“We’re nobody. Please just let us go,” Lead says.

“I saw the DMOTER first, but the rest of your weapons are just as recognizable to someone who knows,” Raiden says. “You’re Shadows agents.”

“Who?”

Raiden ignored Lead’s question. “And if a fight breaks out with the UDS,” he says, “I’m willing to bet you were involved.”

I bite my lip, then have to let it go as I cough. Almost there.

Lead apparently has decided the charade is over, as he says, “If you know who we are, you know it isn’t smart to get between us and our mission.”

An explosion somewhere behind me. I chance a glimpse over my shoulder and see a greater cloud of smoke over the other end of the outpost.

“This was my home,” Raiden says, “my baby. I built this place and you’ve destroyed it. I can’t let that go unpunished.”

The burn of the fire is behind me now. The field is in view ahead. A map appears in place of the security footage in my glasses, complete with the locations of each of the ships in the field, a dot for each person, and dark zones for shadows. A line appears, forming a route in shadow to Raiden.

“Let’s just kill them,” Hellfire says.

“We’ll take rounds too. If we can get out of this without spilling our blood, we have to,” Lead says, then out loud: “We’re terribly sorry about that. That was not part of the plan, but the UDS showing up was unexpected, we had to improvise.”

“Be that as it may, you’re still killing my baby.”

I crouch low in the shadows alongside the field, inching my way around behind the ships.

“Your baby only exists because of us,” Hellfire spits. “We gave you the air you’re breathing.”

Peeking under one of the ships, I see Raiden wave his pistol and say, “I don’t believe that gives you the right to kill it.”

Following the route on my glasses, I sneak my way onto the field, careful to stay hidden in the shadows of the ships.

“Then why haven’t you killed us already?” Lead asks.

“Because I’m intrigued by you,” Raiden says. “And we have one more thing being loaded, so I have some time.”

I make my way to directly behind Raiden. The shadow of the nose of a ship leads almost right up to him. If the nearest of his men keeps his focus on my team, I should be able to slip past.

As if in response to my thought—and it probably actually was, I remind myself—my team steps outward, tucking their weapons tighter to their shoulders. Raiden’s men react with increased attention.

“Intrigued how?” Lead asks.

“I’ve never really understood the whole mercenary-vigilante thing you have going. And I’ve always been fascinated by your technology and, more importantly, your ability to remain hidden from the, ah, more official agencies of the universe.”

I creep up behind the nearest man. Two feet to his right, I slip on by. His eyes never leave BB, who is aiming an ONYX at him.

“Would you like to see some of our technology at work?” Lead asks.

I’m at the edge of the shadow now, three feet off Raiden’s left arm. I let my DMOTER hang and shoulder my PDW.

“I would love to,” Raiden says.

Lead lowers his UMBRA and nods my direction.

As the smuggler turns my way, I straighten up and step out of the shadow. My PDW points directly at his face. Which shows no sign of fear. Only wonder.

“Holy shit,” Raiden says. He laughs one big belly laugh. “That was fucking cool. You like melted right out of that shadow.”

“Let us leave,” I say, sliding my finger onto the trigger.

He seems not to even have noticed that I spoke. “I was wondering where you went,” he says. “I thought maybe you were lining up a shot on me from a distance with that DMOTER, but damn, this was cooler. Bravo.”

None of his men have moved. All dozen weapons still aim at my team. The threat isn’t working.

Just maybe something else might. . .

It might. Lead gives it a go, Leep says. Be quick. The Enforcers have lost and the UDS are turning this way.

“I’ll give you the tech if you let us go,” I say.

Raiden raises one eyebrow. “The tech that will let me disappear into the shadows?”

“Yes.”

He eyes the burning outpost over his shoulder, then turns his attention back to me. “Done.”

A second passes before it clicks in my head that he accepted the deal already. “Just like that?” I ask.

“Boys, weapons down,” Raiden says and his men obey. “Just like that.”

After a look at Lead, who nods, I pop the link off my belt and toss it to Raiden. The smuggler catches it and turns it over in his hand.

“Just press the long end and step into a shadow,” I say.

He presses the link and backs up into the shadow of a ship. The darkness pulls over him, so I can only see him with difficulty.

“Did it work?” he asks.

“It did,” one of his men says.

“Wonderful!” Raiden steps back out of the shadow and smiles at me, then at Lead. “It was excellent doing business with you. If your Shadows ever want to make another deal, well, I’m a businessman at heart. Gentlemen.” He dips his head and walks to his modified UFA ship. His twelve men turn their backs on us and disperse to several different ships.

Lead and I just shrug at each other.

UDS ship is coming in hot, Leep says.

“Let’s get the hell off this rock,” Lead says. We make the dash across the field as a team and pile into our ship. It lifts off before the ramp even fully closes. The UDS ship speeds toward the field, minigun spinning up. Luckily, our modified craft has us out well before we’re in danger.

 
 
——————–
 
 

We have full access to the communications going through the array, including the clandestine ones. Our involvement in the destruction of the Rues criminal outpost seems to have gone unnoticed. The bomb is ready when you need it.
I know of this Halt Raiden, yes.
Very well. I will infiltrate his crew and report back what he is working on.

Operation Smolder Part 1

“We have to trust our cover story and our orders,” Christian—Lead—says, walking beside me across a small cargo bay filled with nondescript crates.

“I don’t like being kept in the dark,” I say.

“Then you’re in the wrong line of work.”

I shake my head. “I just think we should know what it is we’re planting. What if something happens and we can’t place it exactly how they say to. We need to know what it is in order to improvise a new plan.”

Christian peers down at me. The tattoo of a stitch over his left eye gives him a severe look. That, combined with the blood-red hair left long on top, but shaved on the sides, makes him an imposing figure. “We have to accept that we won’t get any more information. Besides, Maz and Tak probably already figured it out.”

The siblings do have a special gift for figuring things out, especially with regards to tech.

“And if we do have to improvise,” the team lead says, “that’s not your problem anyway, Guardian.”

I concede the point with a shrug.

A door slides out of our way, and we enter the ship’s small rec room. Three people stand around a table off in one corner. The siblings are easily identifiable with identical circuitry tattoos up their necks and face. The sister’s hair is dyed black on top, with white braids down the side of her head and woven together behind. The brother’s blonde hair is cropped short. The third man is bald, but with a massive brown beard.

On the table between them is a fist-sized silver metal orb.

“I’m telling you, it’s a hacking device to get into the comms,” the brother, Maz—Nerd—says.

Tye—Breach—draws a knife from his hip and prods at the device.

Tak—Hellfire—is the first to notice us enter. “Fahr!” she says. “Do you have any old-man wisdom you can offer us in this dilemma?”

“It just looks like a giant chrome pill to me,” I respond.

“What about you, Lead?” she asks.

“It doesn’t matter,” Christian says. “Where are the others?”

Tye, now scraping the blade of his knife across the device, is the one to answer. “Pretty sure Farl was napping and Dij was going to prank him somehow.”

Christian shakes his head. “We’re almost to Rues, get your AI hooked up. I’ll get the others.” He crosses the room and out another door that slides open for him.

The rest of us fish our headsets out of where we store them. Mine is in a pocket on my right pant leg. After securing the earpieces in their places, I grab the tape-like chip dangling from the extra strap. I press the tape to the back of my head.

My mind blanks. Then everything returns.

Afternoon, a soft male voice says in my ear.

Afternoon, Leep, I think.

Inventory taken. You seem to be in excellent health today. The others are approaching, I will leave you to your meeting.

The door Christian disappeared through slides open again and he walks out, followed by the last two members of our team. Dij—Bullet Bait, or BB—has one side of his head shaved with a tattoo across that bare skin. The art is similar to Maz’s and Tak’s, but with numbers and weapons from various ages mixed with the circuitry. He also has a new addition to his appearance: a black eye. Farl—Hammer & Nail, or Ham—is the only normal looking person on our team—me having low and wide double-mohawks—with no visible tattoos and his brown hair buzzed. He is massaging his knuckles on his right hand.

“Figured it out yet?” Dij’s voice sounds in my ear, though his lips don’t move.

“Not yet,” Tye responds out loud. He has stowed his knife, and is moving the chrome pill around with one hand.

“And why are you the one trying?” Dij asks.

“I have a theory.”

“Whatever it is,” Christian cuts in, “we are to plant it silently. If FarCom finds out we were there, then the Phantom will soon know as well and our mission is wasted. Are we clear?”

“Don’t blow shit up, got it,” Tye says, turning the pill over in his hand.

“Exactly,” Christian says. “Which means we will be relying on Nerd today. Get us in quick and silent.”

“Always,” Maz says.

“Arm up, we’ll be there in minutes.”

Six of us, Tye staying put, move toward yet another door out of the door. I only make it three steps before Tye cheers.

The chrome pill in his hand is now only half a pill. The cross section reveals two compartments, both of which seem to just be a tangle of wires.

“Hell yeah,” Maz says, sliding back over to the table and taking the device from Tye.

“Are you sure I can’t blow anything up?” Tye asks Christian, not even trying to conceal the excitement he is feeling now. That can only mean one thing.

“It’s a bomb, isn’t it?” Christian asks.

“Not just any bomb. A nano-bomb. At least in part, I’m not sure what else it’s supposed to do.”

“That I can answer,” Maz says, setting the pill down. “I was right, it’s going to hack in.”

“Then hack in it will do, and no doubt be detonated at a later date. Sorry, Breach,” Christian says.

The corner of Tye’s mouth retreats in disappointment, but he shrugs it off and snatches the device off the table. The outer shell extends, creating a complete pill again. “As the demolitions expert, I’m going to just hold onto this for the mission,” he says.

“Whatever. Arm up,” Christian orders again.

As we file out of the rec room and into the bunk room that is currently serving as our armory, I exchange a glance with the team lead. So, we’re hacking into a comm’s array known to be piggybacked by the Phantom and rigging it to explode. That makes sense. The only question now is when they intend to detonate it. What does the Big Man have planned?

Christian shakes his head as an answer to my unasked question.

Inside of our temporary armory, we split off to where our individual equipment is arranged. Apart from the headsets already on, the only gear most of us were allowed for this mission was our weapons, Nerd’s custom tablet being the only exception. We weren’t allowed armor or even our usual uniforms, only street clothes. They are serious about making sure the Phantom doesn’t find out we were here.

My equipment, laid out on one of the bunks, consists of two weapons and extra magazines for each. A SH-29 DMOTER, complete with scope and bipod, and a shorter SM-90 PDW. I hang the SM-90 on my front and swing the DMOTER onto my back. The extra magazines I fit into the cargo pockets on the pants I’m wearing.

Fourty-eight rounds of .323SR and one-hundred rounds of .22SP ammunition, Leep says in my head. That’s a lot of ammo for a mission you hopefully won’t be shooting during. Better to be prepared, I know.

Better to be prepared, I think.

I turn around and watch the rest of my team finish gearing up.

Lead has only a single weapon, his SH-19 UMBRA painted as red as his hair. Breach has a backpack of explosives, and he doesn’t seem happy that it is smaller than usual. He scratches at his beard with the butt of his ST550 breaching shotgun. Bullet Bait looks small and uncomfortable holding his SH-34 ONYX without the excess armor he usually wears. Ham, while the most normal-appearing of us without our equipment, is the most conspicuous when armed, even without the grenade launchers he is usually equipped with. His UMBRA is scoped, and he has several grenades hanging from a vest. Hellfire, true to her nickname, has an ONYX slung over her back, PDW in front and a pair of SP-83 pistols on her hips. Her brother has his tablet and a single, smaller SP-57 pistol. He doesn’t do much of the killing.

Landing in one minute, Leep says.

“You heard the AI, let’s get to the ramp,” Lead says.

Breach is the first one out the door, the rest following and me bringing up the rear. Back through the rec room, into the cargo bay. The back wall of the bay functions as the ramp of this particular stolen smuggler’s ship. The crates scattered around hold harmless items, such as wiring and foodstuffs, as the people of Rues would expect; the true cargo would be hidden in various stows, if we had any true cargo.

“Landing,” the voice of our pilot says through the speakers and a moment later, the ship rocks as it touches down.

A crack of light appears near the top of the cargo bay’s rear wall, then spreads as the ramp lowers toward the ground. Before it even settles, Breach is on his way out. The rest of us go after him and I slip around to the front, with Lead. My steps get easier as I leave the artificial gravity of the ship.

We aren’t two strides past the ramp, onto the landing field covered with other ships, most nondescript cargo ships no doubt holding secrets, when a group of five armed men approach us. They each hold a different kind of rifle, but all of the weapons are pointed to the ground and tucked to their chests. Rues’ Enforcers.

“Hold,” the lead Enforcer says, raising his left hand, his right still holding onto his rifle. We obey.

“Breach, stand down,” Lead says silently. “Guardian, with me.”

I follow him ahead of the rest of the team before we stop a few paces in front of the Enforcers. They all give me a cursory glance then look to Lead.

“Identify yourselves,” the lead Enforcer says.

“I’m Bagger, this is my crew,” Lead says. The Enforcers show no reaction to the obviously fake name. No doubt everyone on this asteroid went by an alias.

“Wilson,” the lead Enforcer says as his own introduction. “What purpose do you have for coming to Rues? Complete honesty in this area is a rule here. Lie and you will be forced to leave.”

Lead dips his head in acknowledgement of the rule. “We are mediating an arms sale and our client would like us to test the product while we wait for the arranged meeting time.” He touches his UMBRA as he speaks.

Wilson looks the rifle over. “Weapons are tricky here. You must all prove that they are unloaded while within the confines of the outpost. You will be escorted outside of the outpost to a place you can test them. Only then can you load them. Understood?”

“Understood,” Lead says. “Are there any other rules we should be aware of?”

The lead Enforcer gestures to a sign post near the front of the landing field. “Read that as we leave. Which we will do as soon as your tax has cleared and you and your crew all prove that your weapons are unloaded and your ammunition is given to one of my Enforcers.”

Lead pops the magazine out of his UMBRA and clears the chamber. He hands the magazine, plus the extras he stored in his pockets, to Wilson.

I follow his lead, clearing both of my weapons and handing all of my ammunition to one of the other Enforcers. A minute later, the entire team is stripped of their magazines. The Enforcers settle back, watching us while we wait for the tax to clear.

I take the time to scan the landing field. It is surrounded by a thick wood on three sides, the trees much larger than they could naturally grow in the short time they’ve been in existence. On the fourth side, the trees had been cleared for a large, straight road into Rues proper according to the maps; the outpost itself is hidden amongst the trees.

My initial assessment of the field itself was mostly accurate, but there were a couple of exceptions to the nondescript-cargo-ship-rule. The most notable of them must once have been a Union Flight Academy transport ship, but it is almost unrecognizable for the modifications on it. It holds the prestigious spot nearest the entrance to the field.

Wilson touches his ear and nods. “Your tax has gone through. Let’s go.”

The team gathers together and the Enforcers surround us. They escort us toward the end of the landing field, past the modified UFA transport. We pause at the signpost long enough to read through the rules. In addition to the rules on weapons, that you must be clear on your business there and “Everyone pays,” it has something about how conflicts are resolved in Rues and the final rule: “Do not bother the comms array.”

“What’s this about the comm’s array?” Lead asks Wilson.

“If we leave it alone, they leave us alone,” the Enforcer answers. “We don’t exactly want FarCom security to come down here. Or worse, call on the Union.”

“You know that’s a UFA ship, right?” BB asks, pointing at the modified transport.

“Used to be,” Wilson says. “Now it belongs to Raiden. The Union doesn’t know the outpost exists. No government does.” He starts off along the road.

“Anyone know who this Raiden is?” Lead asks without a word.

I don’t, I think back, knowing Leep would transmit the words.

“He’s gotta be some important smuggler, or a guy who runs the place,” Nerd says.

“Right. Do what these Enforcers say and it shouldn’t matter,” Lead says.

It isn’t long before the first of the buildings becomes visible off the road to the right. There is no clear path to the door, but the undergrowth has been worn down. A warehouse of some kind, perhaps for long-term storage of smuggled goods.

Other buildings follow soon after. A couple of hostels, a nicer housing establishment. What could only generously be called a restaurant, a few tables and a grimy open kitchen. None of the buildings have any true paths and are almost lost in the trees. Until we get about halfway through the outpost.

There stands a building much taller than the rest, in the center of a clearing and surrounded by a high fence. The top of the building is a sort of distorted, rotating dish. Inside, out of view, is the terraforming tech that makes the asteroid habitable.

“They wouldn’t treat us like this if they knew we were the reason this place can exist,” Ham says silently, looking at the Enforcers surrounding us.

“Yeah they would,” is Nerd’s wordless reply.

“Stay focused,” Lead says.

We continue on in silence for a minute or two, past what appears to be a mechanic’s shop and another warehouse with a sign on the door that reads “This Market, which is definitely not of the black variety, is closed.” Otherwise it is simply more trees. The terraforming tech must be cranked to high. Or its speed is why it was abandoned after testing.

Finally, Wilson breaks the silence. “How long do you intend to stay here?” he asks.

“A few hours, then we must head to the exchange,” Lead says.

“Who are your clients?” Wilson asks.

“Our openness only goes so far.”

Wilson shrugs. Had we given an answer, we probably would have destroyed our credibility. Smugglers and criminals have their own code, one I’m sure is not so different from ours.

“Where is this place we can do our testing?” Lead asks after another extended pause.

“Past the outpost, past the trees. Somewhere out of sight of Rues, but close enough that the air is still breathable.”

Our intel told us as much. It also told us that it was exactly the place we needed to be. But better to appear not too knowledgeable about a place we’ve never been.

Straight down the only road we continue. Laughter and music soon fill the air, growing louder as we walk. Off to our left, a pub spills out into the woods. Tables of men and women in no recognizable order, are scattered about inside and out. Drinks are being sloshed about, games being played. Shouts and slurs and curses are thrown about by the rowdy crowd.

We keep moving right past it.

“That’s a DMOTER,” a voice says from just behind us, stopping me short. The others do the same. Lead sends me a quick, almost panicked look, then I turn around.

A middle-aged man stands at the edge of the road, staring at the rifle on my back. He is tall, almost as tall as Lead. His neatly trimmed black beard and hair are speckled with gray. A crooked, mostly likely drunk, smile twists his face. There is nothing at all special about him, except for the pistol at his side.

His eyes drift to the PDW hanging at my front. Then they move to Lead’s UMBRA. Then around the rest of the team, before settling on my headset. His smile fades.

Breach takes a half-step toward the nearest Enforcer before Lead silently orders him down.

The man turns around, to another, smaller man behind him. “Get the others, load up the ship. We’re leaving,” he says and they both hurry off, him toward the landing field, the shorter man back to the pub.

All of the Enforcers move at once, stepping away and shouldering their weapons. One points straight at my chest.

BB, hold, I think, noticing the man tensing to attack. I’ve got this. I lift my hands and look to Wilson, who is circling around to me.

“What was that about?” the Enforcer demanded.

“I have no idea,” I say.

“What is a DMOTER?”

I touch the barrel of the rifle. “That’s what this weapon is called. I don’t know why he would react to it in that way.”

“Raiden always has a reason.”

Lead swore silently. “Still no ideas on who he is?”

“I assure you,” I say, keeping calm, “I have no idea. It is no common rifle to be sure, but nothing that should make him run off.”

Lead’s voice speaks again in my ear: “Everyone be ready. If this Raiden knows us, we may need to take him down.”

There is a change in the team only perceptible to one who has worked with them for years. The Enforcers are oblivious to the slight changes in stance.

“It was not all he looked at. Who are you?” Wilson asks.

Breach runs a hand down his shotgun. An Enforcer snaps aim to him.

“We are mediators in an advanced arms sale,” I say. “All of these weapons are a step above your typical firearms. Our clients are dangerous people. Perhaps Raiden recognized that. But I can assure you, we are here simply to test these weapons to prove that they are what they are said to be. We will be gone in a couple of hours.”

Halt Raiden, Leep says, finishing a search of our records. Known smuggler. No known association with the Phantom.

“Thank God,” Lead says. “We will not blow cover for him.”

Wilson studies me, then moves around to Lead. “I am watching you closely. If any of you tries anything, I will put you all down. Understood?”

“Understood,” Lead says aloud.

“We will stay and observe your testing,” Wilson says.

Well that isn’t going to work.

“We would rather not have an audience,” Lead says.

Wilson looks us over. “We are not going to allow armed strangers to be unsupervised so near our outpost.”

“Our clients would prefer to keep these weapons and their abilities as discreet as possible. A preference strong enough that they would not complain if the tax went up. Up enough that a sizable amount found its way into each of your pockets.”

A long moment passes, the Enforcer rubbing the side of his rifle. The war between suspicion and greed plays out of his face.

“See that the increased tax is paid,” Wilson says. “We’ll be keeping your ammunition until that time.”

Lead dips his head. “Thank you. It will be paid.”

The Enforcers lower their weapons, but keep their extra distance. Their eyes don’t wander from us as we start moving up the road again. Not a word passes between any of us, spoken or otherwise, as we leave the cover of the trees. The uneven, cratered surface of the asteroid appears more natural here, but for the knee-high grass that covers it; the road ends with the trees and there is no flattening or shaping of the land by human hands. Even the grass ends after a hundred yards.

We climb a hill and drop into a crater. Up the other side and down into a larger one. As we ascend the other side of that depression, a giant satellite dish seems to sprout from the top of the next hill, growing as we climb. Beneath the dish, a small building, a few hundred feet square, becomes visible. As we crest the rise, the base of the building is revealed for a second before we descend again; the front of the array is screened by a chain link fence topped by razor wire, one visible entrance, but there wasn’t enough time to see how many guards there are. There was, however, enough time to see that the shadows cast by the hills stopped a good twenty yards from the array.

Wilson angles us away from the array as we start to come out of the next crater. It comes back into view over our shoulders.

“Is that the comms array we’re not supposed to bother?” Breach asks.

“It is. Steer clear,” Wilson says.

“Oh, for sure.”

Nerd manages to turn his snort of laughter into a cough that goes unmarked by the Enforcers.

This hill drops into the largest crater yet by far. The bottom is nearly flat and stretches out in a rough circle about a hundred and fifty yards in diameter. I don’t need Wilson’s comment of “this is it” to know that we have reached the testing ground. On the opposite end of the crater, destroyed pieces of crates and dented targets litter the ground. Off to one side, the dark gray rock that forms the ground is blackened and covered debris, no doubt from tested explosives.

“You can test your weapons here. As soon as that extra tax is paid,” Wilson says.

“It has been,” says Lead.

The Enforcer Lead’s eyes narrow and he reaches into a pocket. He pulls out an electronic device and fiddles with it for a moment before nodding. “Alright, not sure how you did it, but that more than covers it. Enjoy testing your weapons.” He and the other Enforcers return our ammo to us.

“Steer clear of the array,” Wilson says again, then waves the Enforcers back toward the outpost. In a minute, our team is alone in the large crater.

“Let’s put a few rounds into those targets,” Lead says. “When the AIs say we’re clear, then we’ll move.”

You can see them? I ask.

The criminals seem to value security, they have many cameras around. But they don’t seem to put as much emphasis on the security of the networks of those cameras, Leep says.

I load a magazine into my DMOTER and line up the scope on a target at the other end of the crater, a metal disk hanging from a frame. The rifle rocks against my shoulder, its sound deadened by my earpieces, and the metal disk whips around its anchor in a complete circle.

“Think they can hear this from the outpost?” I ask.

They can, Leep says.

“That’ll be part of your job then, Guardian,” Lead tells me, “to put some rounds into the targets now and then to throw off suspicion.”

“Roger,” I say.

Several minutes pass, with each of us putting several rounds into the targets, before Leep finally says, They’re back, you’re good to go.

“Let’s do this,” Lead says. “Glasses on. We’ll get as close as we can shadow-cloaked.”

I fish a pair of dark glasses out of my pocket and don them. The others do the same. Each person also loads a new magazine into their weapons.

“See you on the other side, Guardian,” Lead says. “Fall in!”

The team forms a line, BB first, followed by Hellfire, then Nerd, Lead, Breach and finally Ham. They climb out of the crater, toward the array, and drop into the next crater.

I follow them to the rim, where the entire array is visible and let them go on from there. There is one more small crater between me and the building, then the array itself is in a large, flat area. The entrance faces me, three guards posted, two at the gate in the fence, one at the door into the building. Our briefing said there was another entrance, nano-sealed, on the back side. That is where my team would be going.

Now they are crossing the small crater, hugging one of the walls, deep in shadow.

“Activate cloak,” Lead says.

The shadows seem to pull over the six of them like a blanket, and they vanish from view. A moment later, their outlines appear blue in my glasses, slinking across the crater.

I lie down prone, popping the bipod legs out and resting my DMOTER on the ground. I set the PDW beside me.

The team summits the crater. They dart through the sun one at a time when the guards aren’t looking. In a minute they are back in the shadows and out of view on the other side. Now nothing stands between them and the array except for a band of light.

Leaving my DMOTER in place, I grab the PDW and inch down the hill, out of sight of the array. I put five rounds into the targets. Then I crawl back up to my rifle and peer through the scope again.

The guards are now gazing in my direction, away from my team sneaking around to the back of the building.

After a few more moments, the guards return to their conversation, apparently not seeing me.

“One at a time, move fast and low,” Lead says. The team is in line with the back corner of the building, the closest they can get with any shadow coverage.

BB’s blue outline darts forward, then disappears behind the array. Hellfire makes a gesture at her brother, probably in response to some silent tease he made, then races after BB.

The guards got a transmission, I couldn’t read it, Leep says.

“Guardian, keep an eye on them,” Lead says.

The two guards at the fence pause in their conversation for a few moments, then return to it. The one at the door pulls it open and steps inside.

One guard went in, the other two are not any more alert, I think.

“Copy,” Lead responds. “Moving.”

Nerd hurries after his sister and his outline disappears behind the array. Lead is moments behind him. Breach barely waits his turn before following. Finally, with Ham joining them, they are all out of my sight.

“Nerd, get to work,” Lead says.

“On it.” A second later, a humming comes through my earpiece. Some new hit song from Gramen the kid is humming silently and making his AI transmit.

The transmission came from a ship nearby, still decoding, Leep says.

“I don’t suppose you could pick a faster song to type to?” Breach asks, initiating their lighthearted fight earlier into the mission than usual. Most of the time they wait until the stakes are higher and Lead has to shut them down fast.

“Hey, I don’t tell you how to plant bombs,” Nerd responds.

I shuffle back down the slope into the firing range crater.

“You tried to tell me how to defuse one last week,” Breach says.

The word “shrug” audibly sounds in Nerd’s voice.

I put my PDW to my shoulder.

“Almost got us killed,” Breach continues.

“I didn’t tell you to stop defusing.”

“Hard to defuse a bomb and punch you at the same time.”

“Hard to punch you and hack,” Nerd says.

“You can punch?”

I place my finger on the trigger.

Wait, Leep says.

“I’m in,” Nerd says.

The ship the signal came from is UDS.

“Hold!” Lead orders.

I pull my finger off the trigger of my PDW.

I still haven’t decoded the message, but the ship is on a course for the array.

I spin around and crawl back to the top of the ridge. I don’t need the scope of my DMOTER to see the six guards exiting the array. They join the two already outside and all eight exit through the chain link fence. They spread out around a large, flat stretch of rock a few yards away.

“What do you see, Guardian?” Lead asks.

I tell him.

There’s a long pause. The guards finish circling and face out, one tapping his foot and looking up. “Breach?” Lead finally asks.

“No sign of explosives around the door, they trusted their nano-seal,” the demolitions expert says.

“Then we’re going in before that ship sees us. Guardian, make sure they don’t catch you on that ridge.”

Copy, I think. After grabbing my DMOTER, I crawl backward into the crater until I can stand without being seen by the guards.

Over the next couple of minutes, Leep informs me that the team enters the building and closes the door behind them, then that they have accessed the server room undetected.

I put a few rounds into the targets with my PDW. The risk of provoking the guards is worth keeping our cover with the Enforcers. They can’t know something is up.

Enforcers moving, Leep says, snuffing my dreams of keeping up the charade.

“Nerd’s hacking in, buy us some time,” Lead says.

The kid’s humming starts up again, the same song as before.

“Seriously, still with the slow song?” Breach asks.

“Breach, shut it down,” Lead says. “Nerd, keep the song to yourself.” The humming stops, leaving me with the dead silence of an asteroid again.

I switch out magazines in my PDW, making sure it is fully loaded. I let it hang behind me, my DMOTER hanging in front.

The Enforcers have left the outpost and are headed our way, there are twenty of them. The UDS ship will not be far behind them, Leep says.

I adjust my glasses. The team is still inside, everyone we’re supposed to keep our mission secret from is about to arrive and I have to save our cover alone. If any time requires fast thinking, this is it.

Wait another minute, I’ll tell you when to move, Leep says as an idea pops into my head.

My feet are light as I pace back and forth, waiting for Leep’s signal. The reduced gravity will give me the advantage on the Enforcers, assuming they live on the asteroid most of the time. The same cannot be said for the UDS team coming in. But if it comes down to a fight, our mission will be blown. An option must be found that keeps mission integrity intact, if at all possible. But never at the cost of our team’s lives.

“Shit,” Nerd says and I freeze in place.

A second of silence drags out before Lead says, “Nerd, what happened?”

“Oh, uh, it’s nothing,” the kid says. “I just may have triggered a self-destruct system. This whole room may blow in a minute.”

 
 
————–
Read Part 2 here

Operation Torch part 1

“Alright, let’s run through this again,” I say.“Don’t you think that’s a little overkill, Mak?” my partner, Rit asks.

“I want to make sure we get this right.”
“We’ve been doing this a long time and this is hardly our most complicated mission. I’ve got it.”
“Then repeat the plan back to me.”
“I follow you to the guys I have to kill,” Rit says with a grin.
I cross my arms and purse my lips.
“Alright, alright,” Rit says. “When we touch down we make our way through customs then meet up with the asset on the ground. He will give us the rundown on these ‘Dream Harvesters’. We will take his information and find their base of operations and kill anyone that needs killing and destroy anything that needs destroying to stop them for good.”

“Good enough,” I say and slump back in my seat. We are in a private compartment of a passenger carrier ship. We haven’t left the small space, wide enough for our two seats facing each other with a few feet of legroom between and tall enough for empty baggage compartments over our heads, since boarding the ship several hours before on Gramen. The sealed door to my left has kept other passengers and any crew from interrupting or overhearing us.

“I can’t believe this, but I kinda miss Perry already,” Rit says. He scratches the back of his head where the AI is usually attached. “The little shit has really gotten in my head.” He throws me a self-satisfied smile.

Rather than acknowledge his bad joke, I just say, “yeah, well, if we had those chips plugged into our heads we would never make it through customs.”

“I hate undercover missions.” Rit picks at the stylized UDS logo on his t-shirt. We both wear the t-shirts, his in blue, mine in yellow, and black cargo pants. Not the standard issue uniform for agents, but typical for us.

“Most of our missions are undercover,” I remind him.

“Yeah, but not to Tumbar. Pretty much everywhere else we can get guns and AIs in. Freaking Tumbar.”

I shake my head.

A ding sounds in our compartment, followed by a robotic female voice telling us we were about to dock.

“Relax,” I say, “you’ll be armed again soon.”

“I’d better be.” Rit pushes off the seat and stands. His hulking form fills the space between the seats. He grins down at me, then taps the door and it slides open. Once he has vacated the compartment, I stand and follow him.

The door leads into a narrow hallway already packed with people. They file out of doors on either side, most wrestling with luggage. A few of the nicer-dressed passengers lead floating bags. Rit has already struck up a conversation with a pair of young women trying to muscle their large packs from the compartment next to ours. He waves them aside and pulls down the bags from over the seats and carries them, one in each hand, into the hallway.

“Thank you very much,” one of the women says.

“Of course,” Rit says. “Are you ladies coming or going?”

I shake my head and prod him in the back to get them moving with the crowd. He keeps up smalltalk with them all the way through the ship. The corridor meets up with two others in a wide room with screens and couches. People fill it. Most are in business attire, a few in military uniforms. Only a couple of children and three women besides the ones Rit is chatting with. The military men walk proud and the crowd moves aside for them, but they pay little attention.

The wall on the other side of the room is gone, lowered down into a ramp for disembarking. We jostle our way through the room. I keep my arms at my side, not quite relaxed. Rit never stops in his conversation with the two women, though he barely looks at them, instead discreetly scanning the crowd. He taps his legs with his fingers.

When we reach the ramp, the women look at Rit. “It was very nice to meet you, Chris,” one of them said.

“Are you ladies sure you don’t want help carrying your bags back to your place? Then perhaps show me around the city. Or stay in,” Rit says with a wink.

The women giggle. “I don’t see why not,” the same one says.

The other looks me up and down. “Will your friend join us?”

“Oh, John here? No way, he likes his wife too much. Besides,” Rit leans in and holds up his hand between me and his mouth, but speaks loud enough for me to hear still, “if she ever found out, she would rip his dick off.”

The woman covers her mouth to hide her laughter. I roll my eyes.

“Come on, Chris, we’ve got somewhere to be,” Mak says. The bastard always tries to keep me focused.

“Sorry ladies,” I say, “perhaps another time.” I certainly hope not.

Normally, stepping off a ship onto a planet is a breath of fresh air, literally. Not Tumbar. The air is thick and musty and I swear I taste dirt.

“Gross,” I say. Mak and I venture down the ramp.

The sky above shimmers blue, a color granted by the shield holding the breathable air inside the dock. The roof doors are retracted, leaving a gap big enough for a couple of ships to pass through at a time. A small cluster of liners and private transports wait their turns to dock at either of the two levels of the dock or to leave. A large portion of the upper level is barricaded for military use, no doubt sending troops to quell the Gunsmas rebellion.

On the lower dock, where our outdated ship deposited us, armed guards patrol. Each of them holds a submachine gun, eyes scanning the arrivals; the rebellion has made them jumpy. No threat there.

None of the arrivals is suspicious, all clearly unhappy to be here. They push toward the wide passageway on the left side of the dock, none of them trying to be inconspicuous. Aside from Mak. Years of training show in how he melts into the flow of the crowd. I follow his lead.

We pass by seven cameras before we even get to customs. At least half a dozen armed guards as well. Nobody in the crowd sticks out as a threat.

People siphon out of the main hallway toward other transportation or waiting areas. We follow the glowing green signs directing us to customs. The hallway vomits us out into a massive room with way too many guards. There are six lines where two guards watch a third put people through the wringer: interrogation and ID check. Scanners check every bag. Many people are searched and patted down. Their system for choosing is obvious. If there is a kid in the group, no one is checked. Few women are checked, one with a face tat, another with a “Support Gunsmas” shirt. Every lone man is patted down, with special care given to those that appear to be from Gaidis or Wostin.

“Well, we’re going to get patted down,” Mak says.

“No shit. What gave it away? The fact that we’re lone men or that our IDs say we’re from Wostin or that we’re wearing UDS shirts on the one planet that doesn’t hire them for security,” I ask.

“It was your less than discreet scanning actually. Makes you look a little suspicious.” Mak looks down at his chest. “And I stand by the shirts. Most people still respect them and it may alleviate the suspicion of the people we really care about hiding from. Their secret allies.”

I shrug and go back to my less than discreet scanning.

Sure enough, when I get up to the guards, I am patted down. They take my ID chip, which projects an image of my beautiful mug and a description of my alias, which is very close to the actual identity of one of the Ghosts; Mak’s is similar to the other’s. The two either haven’t figured out that we do this or they don’t care, having wiped their own identities a long time ago. The guards find my enhancement disruptor chip too.

“Gotta be prepared,” I say when the guard asks about it. He gives it back.

The guard asks me why I’m there. I feed him Mak’s story about us touring planets before we join up with UDS. The guard actually thanks me for it. They really have no idea.

He lets me go without asking why I don’t have a bag and I step between the armed guards. The left one needs to take his damn finger off the trigger.

Mak joins me a couple of minutes later.

“So,” I say, “what say we grab some food on the way to meet our contact?”

“We don’t have time, we can get some after.” Damn.

“Fine. Lead the way Mister Maps,” I say, waving toward the escalators at the end of the room.

At the top of the escalators we come to a landing with doors on the other three sides. The doors opposite the escalators are glass. They slide open when people near. Beyond them is what passes for outdoors on this nightmare of a planet. It is there that we go.

Guards flank the doors both inside and out. All of them give us a glance as we exit the building. There’s barely a difference between inside and outside. The lighting changes, becoming similar to sunlight, but still obviously artificial, and not just because I can see the lights casting it set in the roof overhead. The “street” is walled on both sides, feeling more like the highways on our capital ships than an actual planet. Painted facades stick out from the walls, signifying buildings.

Rumbling vehicles pass by, all as boring as the rest of the scene. A few pedestrians walk on the raised sidewalks with hurried steps and downcast eyes. There are at least twenty cameras I can see from here. Everything, except for the people, is made from the same dark gray metal. This planet sucks. Maybe they’ll fix it up once the big man decides to do a wide release of our terraforming tech.

Mak goes right down the sidewalk. He keeps his head down enough to obscure his face, but not so much to be suspicious. His steps are fast enough to make good time, not so fast they draw attention. He puts way too much effort into this.

I walk with my hands in my pockets, chin held high and swing in my step. If anyone is watching us, they’ll know the man they know as Chris is a confident SoB.

We pass by side streets hidden behind large doors with names projected above them. One of those doors opens and deposits a car onto the larger road. There are smaller open pedestrian doorways on either side of the larger ones. Cameras watch every intersection.

A blue painted taxi offers us a ride. We decline.

After several long minutes of walking, we reach the end of the port district. A massive door several times larger than the others stands open over the street. Pedestrian doors are on either side. If all of the doors shut, then there would be a large airtight wall cutting off the street. A projected sign above the gaping hole says “Government District.”

“Alright! Walking right into the nest of the guys we’re hiding from,” I say. “Did you do this for me? You know me so well.”

Mak shakes his head. “Don’t flatter yourself, our contact picked the spot.”

“Should’ve guessed,” I say.

We approach the district and the guard standing between the street and pedestrian doors eyes us. I flash a smile and nod. His gaze passes over our UDS shirts and he scowls.

“Guess they’re pretty torn on the UDS,” I say.

“You should really read a briefing now and then. They detail things like that.”

Of course they do. Those things are surprisingly thorough. I honestly have no idea how we get the intel we do. Like near exact ratios of who supports the UDS and who doesn’t. Only Wostin has a lower percentage of UDS supporters than this planet. And that isn’t by accident.

We enter the government district. Mak veers off the main road, through a door into a sidestreet. This street is more of the same, just more cramped. Most of the pedestrians are in nice suits. A few of them are armed and trailing someone else.

Mak doesn’t keep us on this road for long. He steps through a doorway that says “housing 3” like he belongs there. I do the same, tilting my head just enough for the camera not to get a good look at my pretty face.

A short hallway through the door is lined with pictures of other planets. The deserts of Wostin there. The great white cities of Tern here. The screen-dotted cityscapes of Gramen farther down. The forests of Gunsmas make a few appearances. Guess they’re still advertising their colony despite the rebellion. I know for a fact the city shown in one photo is now mostly cratered rubble. Apparently that was one helluva fight. Blind Unit gets all of the fun.

The hallway opens up to a large room. Tables sit in the center. Each has a fake potted plant on it. Cushioned benches line the walls wherever there isn’t a screen and padded seat. Almost every seat is filled. The benches are mostly older people. The seats with screens are mostly younger. The tables are a nice mix. Nobody looks at us.

Seven other hallways stretch out from the room as well as at least ten other doors. It is to one of the nearest doors Mak takes me. It has a knob, though most of the others don’t. Inconsistent architects. Mak pulls it open and I follow him through.

We’re inside a janitorial closet. Brooms and mops hang from the walls. They still use brooms and mops. A shelving unit sticks out in the middle of the room. Bottles of cleaner clutter it. Behind the shelf I can see a man watching us from between two green spray bottles. A suppressed pistol is pointed at my chest.

“Our contact is the janitor?” I whisper to Mak.

He just shrugs.

“Identification,” the man says. His voice is calm and soft, but something about it is intimidating. I won’t cross him if I can help it.

“Panthers; EL19,” Mak says. “PE922.”

“PE923,” I say.

“Quick thinkers. Executors. Fitting for a killer team,” the man says, pulling back the pistol.

“Specialist kill team,” I say. “We’re way better than those cocky assholes.”

Mak raises an eyebrow at me. “They’re the cocky ones?”

“Shut up.”

The bastard shoots a grin my way, then looks at the stranger, who is now standing at the end of the shelving unit. The man is dressed in an all black suit. He’s taller than me, though not as wide. But he holds himself like he thinks he could kill us both. The Shadows-issued SP83 pistol in his hand probably has something to do with that.

“Who are you?” Mak asks. “What do you mean we’re quick thinkers?”

“Your designation says more about you than you think. I am Chaser,” the man says.

“No way that’s your real name,” I say.

“It is as real as any. Our time is limited, so we must waste none.” Chaser motions for us to follow him behind the shelving unit. What a weirdo.

Chaser turns his back on me as he disappears into the back of the room. He’s either stupid or confident. I take the lead, moving ahead of Mak and around the end of the shelving unit.

I keep my arms on the verge of relaxed as I round the end of the shelves. Rit taps his legs, eyes fixed on the man calling himself Chaser. I take in the surroundings. There is a table in the back of the room with a duffle bag on it. Mop buckets pushed to the walls. Nowhere for people to hide. And no cameras.

Chaser stops at the table and sets his pistol down. He unzips the duffle bag, then turns to face us again.

“I have one SP57 and three extra magazines for each of you. Along with an adaptive muter each, as anything less would not be prudent on this planet. I would suggest avoiding their use whenever possible. Firearms are illegal except for the guards, military and licensed bodyguards,” the suited man says.

“Yeah, yeah, we know the deal with this stupid planet,” Rit says.

Chaser nods and pulls out two pistols and places them on the table. They are smaller than his SP83, easier to conceal. He places three magazines beside each. The green tips on the bullets means they are armor-piercing. Is that is necessary? He then sets a cylindrical suppressor next to the magazines.

“Hell yeah,” Rit says, stepping forward and picking one of the weapons up. “I was expecting some second-rate blackmarket shit. Nice to see you got some Shadows gear down here.”

“We appreciate it,” I say, moving to take the other pistol. I check it and slip it into my waistband. “Want intel do you have for us?”

Chaser reaches back into the bag and pulls out a map, spreading it across the table. It has red highlights all over it. “I was told you have a memory for maps,” he says.

I nod in confirmation.

“Then memorize this. The red zones are where there is no camera coverage. If you wish to avoid having the guards crash down upon you, then do not draw those pistols or do anything out of the ordinary outside of those zones.”

I lean over the map and study it, storing every bit of it away in my brain. When I’m done, I lean back and look at Chaser again.

“These ‘Dream Harvesters’ you are looking for have great influence in the government, the guards in particular. I do not know what access they have achieved, but they can move freely without a care for the cameras. If you want the dealers, then you should keep your search in this district or the club district. If you desire to catch the suppliers and producers, then I recommend you catch the crew that will be passing through here tonight.” Chaser puts his finger down on a red zone on the map. It is in a low-income housing district.

“What time?” I ask.

“After dark is all I know.”

“That’s it?” Rit asks. “Nothing about where their base of operations is? Who runs things? Or even when we should be there? We were told you would have everything we need.”

“Despite what Dyer thinks, his pets do have our limits.”

Rit huffed. “Speak for yourself.”

“I was not speaking of you Agents.”

I exchanged a look with Rit. Neither of us ask who he was speaking of. Or who he is that he calls the big man by his name.

“I do know there is a dangerous man at their head. They refer to him as Falcon. It is my belief that he was sent by the Phantom himself. Treat this mission with care,” Chaser tells us.

“We’ve killed the Phantom’s men before,” Rit says. “This one will be no different.”

Chaser bows his head. “I must return to my mission.”

“And that is?” Rit asks.

“Not for you to know.” Chaser folds up the map and places it back in the duffle bag. He zips the bag closed, picks up his pistol and strides out of the room.

“Who the hell is he?” Rit asks.

“Doesn’t matter, we got what we need,” I say. “Come on, we need to get to that zone before the crew does. We’ve only got about an hour before dark.”

“Oh is that when they’re deciding to switch the light over to nighttime?”

“It is.”

“I hate this planet.”

An hour later, I’m sitting behind a rancid dumpster in the low-income housing district. It isn’t the least comfortable place I’ve ever had to wait, but it isn’t my favorite. I check the pockets of my cargo pants again to make sure I have all of the extra magazines Chaser left us. I do. I then fish the suppressor from another pocket and the pistol from my waistband. I hold the suppressor up to the barrel of the pistol. It begins to move, crawling around the end of the barrel, then freezing again. I lay the suppressed weapon on my lap.

Rit sits across the alleyway from me, behind another dumpster. I can just see him, from any other angle he would be invisible. He has his own suppressed pistol on his lap. He is poking through a pile of trash with a broken piece of metal. His nose is wrinkled in disgust.

I look up at the lights over our heads. They have been dimming slowly for half an hour. Now they are nearly out. As I watch, they change, switching to a softer white color that barely reaches the ground. It really is a poor imitation of moonlight.

I don’t know how long passes with us sitting there. My nose goes numb to the smell. Rit stops poking through trash and leans his head against the wall behind him. The sounds of activity outside the alley die down. We are left in near complete silence.

Until footsteps sound from the end of the alley. I straighten, placing a hand on my pistol.

Rit perks up, lifting his own weapon. I hold up a finger to him and lean forward to peer around the dumpster.

A group of people have entered the alley. Four armed men surrounding four unarmed men and two unarmed women. The armed men all wear black trench coats, submachine guns poking out from beneath them. They are more focused on watching the people they are escorting than they are on watching their surroundings. The unarmed people walk with bowed heads and dragging feet. Their hands are bound.

I lean back and look at Rit, who is watching me. I hold up four fingers and nod, then touch my pinky to my thumb, signifying six, and shake my head. He nods and pulls his feet beneath him. I tuck my legs into a crouched position as well.

The footsteps grow closer, until they are just beyond our dumpsters.

Rit raises himself up just enough for his eyes to peek over his dumpster. I follow his lead, gripping my pistol with both hands.

The armed man at the front of the group stops. He looks right at Rit.

Rit’s eyes open wide with fake fear. Then he is springing up, vaulting over the dumpster. And kicking the lead man in the face. The man goes down in a billow of trench coat.

I stand up and set my sights on one of the other armed men. My pistol kicks without a sound and the bullet goes through the man’s head. A red shower sprinkles the ground of the alley. His body falls on top of it.

I lower my pistol and scan the rest of the group. The other two armed men are already down. Rit has his foot planted on the chest of the one he kicked, pistol aimed at the man’s face. The bound people are standing frozen. No one has made a sound.

One of the women opens her mouth to scream.

“Hey, we’re not going to hurt you,” I say, raising a hand. “Please don’t scream.”

The woman freezes with her mouth open and eyes wide.

I step into the open. I hold up my pistol for them to see, then set it on the lid of the dumpster. Rit keeps his pointed at the man on the ground, but shoots looks at the group.

“We’re here for them, not for you. We’re going to stop them from using you like this anymore. As long as you don’t get in our way,” I continue saying to the bound people.

“Use them?” the man beneath Rit’s foot laughs. “Half of them volunteered. We pay well.” He grunts as Rit increases the pressure on his chest.

I eye the group of people watching me. A couple of the men don’t look happy. “Find another way to make money. We’re putting an end to them. Get what we need from him, Chris.”

A cruel smile works its way onto Rit’s face. He turns it to the man under his foot.

“I am going to untie all of you and you are going to go home. If you try anything, we will not hesitate to shoot you,” I say. I grab my pistol from the dumpster.

“That doesn’t seem like a very UDS thing to do,” one of the unhappy men says.

“He’s more UDS than we are,” I say, nodding to the man in the trench coat that Rit is now kneeling on. I walk to the man that had spoken and with one hand untie the knot holding him. He scowl at me, then turns and walks off.

I move on to the next man and go through the same process. It continues through each if the six people.

While I do that, I hear Rit say, “Where were you taking these kind people, huh? Where do you make your shit?” The man responds with curses, then a muffled scream, probably through Rit’s hand on his mouth.

When I untie the last woman, not the one that almost screamed, she doesn’t move. She is staring at Rit. The broken piece of metal he had been poking through trash with is now embedded in the downed man’s shoulder. “Are you just going to torture him until he speaks?” she asks.

I look the woman up and down. She’s hot. Nice blue eyes, dirty blonde hair, some meat on her bones, good hips.

Mak rolls his eyes and shakes his head. He hates it when I do this.

“Well, we need to know where his base is,” I say, increasing pressure on the metal I stuck in the man’s shoulder. He writhes beneath my knee. “I hate to see a gorgeous woman such as yourself be subject to dealings such as this. You should get out of here before I have to go any farther.”

A smile plays on her lips when I call her gorgeous. I offer her my best seductive smile.

Mak gives me a blank stare, then sets about pulling the man he wasted toward a dumpster.

“You don’t need to torture him to learn where he was taking us,” the woman says. She steps over one of the men I put down without even looking. That’s either suspicious or hot. “They’ve taken me before.”

I stand up, keeping my pistol pointed at the man in the ridiculous trench coat. “You can take us there?”

Mak drops the arm of the guy he’s dragging. “Rit. . .” He knows what I’m thinking.

“I can,” the woman says.

“We can get what we need from him,” says Mak.

My finger slips on the trigger, splattering the brains of my victim across the ground. “Oops,” I say.

Mak purses his lips and gives me a long sigh. “Fine. She can take us.”

I wink at the woman and she smiles back. No reaction to me killing the guy.

“So, what’s your name?” I ask as I tug on the suppressor and the end moves like a million tiny ants and it pulls free from my pistol. I put the suppressor in my pocket and the pistol in my waistband. I then grab the hand of the man I just killed.

“Sophia,” she says. She grabs the leg of the nearest body. She is either very suspicious or my dream girl.

“Nice to meet you, Sophia,” I say. “I’m Chris. This sourpuss is John.”

Sophia nods at us. Together, the three of us stuff all the bodies into the dumpsters. It is dark enough that the blood shouldn’t be found until morning.

“Shall we?” I say, offering my arm to Sophia. She grins and hooks her elbow in mine.

Mak keeps his suppressor on his pistol and his pistol in hand inside his pocket. We lead him, Sophia guiding, out of the alley. A right turn, toward territory we haven’t been. Mak probably knows exactly what is ahead. But that’s his job, not mine.

“So, Sophia, what is it about you that they keep coming back for?” I ask. “Because I get the feeling they aren’t as interested in your stunning looks.”

She shoots me a sideways smile. “No, it’s my brain they’re taken by.”

“Well if it is anything like the rest of you, I can see why.”

She giggles. She doesn’t seem like a giggler.

“Apparently I have strong happy dreams. And you could have come right out of one,” she says, bumping into me.

I glance at Mak, who raises an eyebrow at me. Always suspicious, both of me and everyone else, just for different reasons. I grin at him.

“So they want you for your dreams?” I ask Sophia.

“They induce certain dreams, and somehow make their drugs from that,” she says. “I don’t know the process.” She’s being forthcoming.

“Dream Harvesters. The name makes sense now.”

“Where are we going?” Mak cuts in. Never one for small talk.

We are walking down the dimly lit street. To our side is a wall of buildings mostly run together but for a few alleys. The windows are all blocked, most by drapes, but a couple with boards and one with what looks like the back of a cabinet. Someone is watching us from one with drapes.

“They took me to the industrial district before,” Sophia says. “Their setup looked permanent, so I bet they are still there.”

“That would make sense with what Chaser said, them not having to worry about the guards and all,” I say to Mak, but watch Sophia in the corner of my eye. She doesn’t react to us having that info. That’s a good sign.

“That it would,” Mak says.

He falls quiet and Sophia and I start small talk. My eyes wander as we walk. About the time I learn she is a teacher, I notice the metal seems to be getting darker. When we laugh at some joke I’ve made about Mak a thousand times we are passing a run down general store with a single broken security camera. We bond over a shared love for a certain musical from Wostin while we pass what appears to be a drug deal going down in an alleyway.

“Have you ever tried any of the drugs?” Mak asks.

“Woah, dude,” I say, “you can’t just come right out and ask that of a lady. You’re lucky you’ve already got a girl.”

Sophia laughs. “No, it’s alright. I have not, no. Known plenty of people that have though. In this part of town, most people use happiness.”

“Explain that to me,” I say. “The drugs are emotions?”

“I don’t know the science behind it, but when you put on a patch, supposedly you feel that emotion. They have varying degrees of potency. Here we are, the industrial district.”

We’re at another district divider. The sign above it confirms her statement. The metal all around seems darker than I’ve seen it yet, probably stained with the pollutants I can taste in the air. The filtration system can’t keep up. It is disgusting. They need to update to cleaner, more efficient systems.

“Can you keep your eyes off her well enough to help me keep an eye out for Harvesters?” Mak asks me. I stick my tongue out at him.

Sophia pulls me into the industrial district. It is different than the others. Rather than massive walls lining the streets, the space is open. The ceiling, which is higher here, is home to hundreds of fans trying and failing to suck out the smog filling the empty space above smokestacks and countless other buildings. Some look like office, probably administration for factories and whatever else is down here. The higher ceilings means it is reliant on street lamps for any light. It is all a little overwhelming. There could be hundreds of snipers hiding here. I drum the fingers of my free hand on my leg.

Mak looks no more comfortable than I feel. The arm of the hand he holds his pistol with is tense. His head swivels.

“Back to the drugs,” Mak says, “why don’t you use them? Why doesn’t everyone?”

“It’s like any drug, you can become reliant,” Sophia says. She doesn’t seem fazed by the dark and ominous district. “And people build up tolerance. Not just to the drug, but to the emotion it simulates. The guards do a good job of keeping them off the streets, but stick around long enough and you will see people who are completely numb. They don’t care about anything, most just sit down and starve to death.” Holy shit.

A loud clattering comes from our left. I drop Sophia’s arm and slide the pistol from my waistband. Nothing moves in the shadows.

I lower the pistol and look around. The map Chaser showed my was filled with red in this district, but we’re not in it. If anyone is watching the cameras, we’ve just given ourselves away.

“You guys should relax,” the woman, Sophia, says. She stands beside Rit, trying to hook her elbow in his again. “I never saw anyone until we reached the sleep rooms before.”

“That just tells me you’re not observant,” I say.

“No, she’s right, we’re jumpy,” Rit says, putting his pistol back in his waistband. But he doesn’t let her take his arm and his fingers tap away at his legs. “If she says they aren’t here, then I trust her,” he says. Sophia smiles at him and starts off again.

I call up an image of Chaser’s map in my mind. Sophia is taking us toward a collection of warehouses with pockets of red. A logical place for drug dealers to set up. But there is way too much cover here, too many sight lines. I tighten my grip on the pistol.

“So those numb guys,” Rit says, “do they really feel nothing? What about fear, anger?”

“Nope, they take care of those too. The Dream Harvesters have it all. There are some sickos that like those ones,” Sophia says.

“Wait, they found a way to make people immune to fear?” Rit straightens up and he looks at her for a few moments before continuing to survey our surroundings. “That could be useful.”

“The military thought so too,” Sophia says. “They tried to hush it up, but everyone knows of the little experiment they ran. Most of those guys ended up getting themselves killed in a matter of days. Fear has its uses.”

She turns us down a small road around an administrative building.

“What do you know about Falcon?” I ask.

She laughs. “He’s a modern day boogeyman,” she says as she guides us around another right turn. “Mothers use him to get their children to behave. I suppose he probably started as a real person, but now he’s basically a demon that plays with emotions and kills unruly children.”

“Our contact seemed to think he is real,” I say. Movement in a window above us. Swinging shades.

“He did say he has his limits,” Rit reminds me. “It is pretty remarkable that he was able to get any accurate info in such a short time. Like where to ambush your group,” he directs the last phrase at Sophia. Her head twitches slightly toward him.

“Well I’m glad he did,” she says after a moment’s pause. And turns us back onto the main road we had been following.

Rit notices too. He draws his pistol again, fitting the suppressor to the barrel.

“What’s wrong?” Sophia asked.

“You just led us by a sentry,” Rit says. “That little detour was probably a signal to those five guys coming out of that building.”

I spin around to face the building we had just walked around. There is a door on the near side. A flash of movement in the window beside it.

“What?” Sophia asks, the hurt and shock in her voice almost genuine.

“Save it,” Rit says.

The door bursts open. Two silent shots go in, one body slumps out. The door bounces on the body, no one else trying to exit.

I step behind a lamp post, taking what little cover it offers. Rit goes for a shallow doorway. Sophia disappears into an alley.

A face appears in the window beside the door. Quick movement in the corner of my eye from Rit, and the face jerks back, a small hole in the glass. I keep my sights on the door.

It inches open, but I wait to fire. Only once I can see most of a trench coat-wearing man do I shoot. Two bullets tear through his chest. He falls onto of the body of his comrade.

Then the door flies open, crashing against the side of the building. Two men stand side by side behind it, submachine guns raised.

Neither gets a shot off before Rit and I shoot them as well.

“Well,” Rit says, “that was easy. Think they even knew there were windows above they could have used to give themselves a better position?”

I shrug and step away from the lamp post. Nobody shoots at me. Rit meets me in the center of the street. We both stare at the bodies.

“I think your girlfriend went for reinforcements,” I say.

“I think you’re right,” Rit responds.

I turn around to see Sophia walking out of the alley she had disappeared into. Four armed men follow her. I take a step forward, placing myself just ahead of Rit.

“Put your hands up,” one of the armed men says.

I look at Rit, who just shrugs and holds up his hands, pistol hanging from one finger. I do the same and look back at the men pointing weapons at us.

“Drop your guns,” Sophia says.

“I’m very hurt, Sophia,” Rit says. “I thought we really had something.”

“This isn’t personal, Chris. Now drop it.”

Rit’s pistol clatters to the ground. “I’m not Chris. And he’s not John. If we really were, then you would all be dead already. Because they could have come in here with battlesuits and finished this mission in half an hour, but no-”

“Quiet,” one of the men snaps.

“Drop yours too, John, or whatever your name is,” Sophia says.

“Are you just going to shoot us anyway?” I ask.

“Not if you drop your gun. Not now anyway.”

“Alright.” I tip my hand and let the pistol slip from my finger. It falls toward the ground.

My eyes drop from Sophia’s pretty face to the pistol tumbling from Mak’s finger. My lip twitches. And my left hand shoots out, catching the pistol.

My finger finds the trigger. I squeeze it twice. One man goes down. I twist the pistol upright and swing it to a second man. One shot and he’s wasted. The hole in his forehead is an improvement to his looks. I drop the other two in similar fashion. Only then does Sophia start to react. Her eyes widen and she takes a step back. I scoop my own pistol from the ground with my other, my dominant, hand and point it at her.

She looks at each of the four dead men, then back at me. “We really did have something-”

“No we didn’t,” I say and put one between her eyes. Not an improvement on her, but oh well. She crumples to the ground.

“I think you’re out,” I say, handing Mak’s pistol back to him. He swaps the empty magazine out for one from his pocket.

“So,” Mak says, “you just killed our guide.”

“Oops. I hope you know where she was taking us,” I say.

“I have an idea. There’s a grouping of warehouses that looked promising.”

“I don’t need to know the details. You just get me there.”

Mak nods and closes his eyes. I can see them moving beneath their lids. No doubt conjuring up a map.

“They have to know we’re coming by now, so we’re going to have to find a way in that’s not well guarded.”

“I-”

“Don’t need to know the details, I know, I’m talking for myself,” Mak says. He does this a lot, and it’s fun every time to make him think I think he’s talking to me.

While he continues talking himself through a plan, I look around. We’re in an administrative section, every building seeming to house offices. I can see towers and conveyor belts to one side, silos to the other. Ahead, the road stretches on in a straight line, dim in the streetlights struggling to cover it. Something moves through one of them.

“I think I found a way in,” Mak says.

It’s a person. No, two. Four. Shit.

“Mak!” I say, dropping into a balanced stance and gripping my pistol with both hands.

“What?” He opens his eyes. Just in time to see a bullet slam into his shoulder. Blood spurts and he spins around. He hits the ground and rolls toward one side of the street. I dive toward the other. More bullets spray the street.

“Shit. Mak, you good?” I call over the street once I find cover in the alley next to the building with the bodies of the men we killed. Mak is on one knee in an alley opposite. He’s pressing his uninjured hand into his shoulder, but he nods. He tears off the bottom of his shirt and ties it around his shoulder with his free hand, then picks up his pistol. Luckily it’s his left side that was shot. He’s not as good with his off hand as I am with mine.

I peer out from my alley with a single eye. There are nine men in the street now, spread out in a sort of fan shape. Most have submachine guns and trench coats, but at the front and center walks one man with a longer rifle and no coat. This man wears tactical get-up, just like I would be if I weren’t undercover: cargo pants with thigh-holster, armored vest with extra mags attached to it and a helmet, all in tan instead of our prefered black. He also has more flair than I like, I can see a bird’s head painted on his helmet as he walks under a lamp. And there are two holographic wings projected out behind him. Showy bastard.

I duck back behind the wall and look across the street at Mak. He shrinks back from his own surveying and meets my gaze.

“Did you just see what I just saw?” I ask.

“It seems Falcon is real after all,” he says. “And he works directly for the Phantom.”

Our job just got a lot harder.

“How well can you shoot?” I call over to Mak.

His answer comes in the form of a peek around the corner and a shot through the right-most man’s noggin. He ducks back in cover before his victim hits the ground. A fresh fusillade of bullets pocks the wall he his hiding behind.

“You could have just said ‘fine’,” I say.

“But now there’s only eight of them.”

I smirk and ready my own pistol. After a steadying breath, I pivot around the corner and raise my pistol-

And dive backward onto my back to avoid a well-placed shot from Falcon. I mutter several curses and roll back to my knees.

“They’re passing a sidestreet that goes through,” I yell to Mak. “We could loop around behind them.”

He closes his eyes for a few moments, then nods. “That’ll work. Pretty straightforward to get there.”

Before either of us can move, however, a voice calls to us. “I know who you are,” the voice says. Gotta be Falcon.

“No you don’t!” I shout back. I wave Mak away. He nods and races down his alley, leaving drops of blood in his wake. At least there’s blood soaking through the back of his bandage too, the bullet went through.

“You are Agents of the Shadows,” Falcon says.

I scowl. Standing, I roll my shoulders and adjust my grip on my pistol. “Alright, so you know what we are, but you don’t know who!”

“It doesn’t matter, you’re all the same. Highly trained drones for your leader.”

That’s rich, coming from a man belonging to the Phantom. I pivot into the open and shoot, then dodge back. The look was long enough to see Falcon drop to a knee and to know my shot would go high. It was also long enough to see Mak peering out from the side street behind the men attacking us. The dude is faster than I give him credit for. I was going to meet him back there, but a crossfire will work well.

“You’re right about one thing,” I say. I drop to a knee and swallow hard. A long breath to calm those incessant nerves. “We are highly trained.” I slide out from cover and put one shot at one of the trench-coated goons. He drops. The others lift their weapons.

Then Mak shoots one in the back. The others spin around in shock, Falcon included. I shoot him in the back of the vest, where it’s hidden by the wings. The bullet penetrates and he pitches forward. Thank God Chaser had armor piercing bullets for us. Falcon hits the ground, but is back to a knee in a moment. My shot was off. Two of the goons turn back to me.

I slide back behind cover. Mak has already done the same.

Falcon screams in frustration, and more than a little pain I hope. “Give it up, I’ve got more men on the way here right now.”

I bite my lip until blood seeps over my tongue. The metallic taste and fresh pain don’t distract me from that radiating from my shoulder. My left arm is basically useless. Rit got Falcon with a solid shot, but the man’s still standing and he has five others with him. And, if he’s telling the truth, more on the way. We’ve been in worse binds.

“How many Agents have you killed?” I call.

“Excuse me?” Falcon asks.

“How many Agents of the Shadows have you killed?”

There’s a moment of confused silence. Then he answers, “You will be my first two.”

Rit’s laugh carries over the street. I grin.

“You’re dreaming,” Rit says. “Even with your little friends there, you’re no match for us. See, each of us has killed dozens of your friends. You don’t get on the Grip of Vengeance without knowing how to kill the Phantom’s little rats.”

I hear a curse from Falcon.

“That’s right,” Rit continues. “We’re senior members of the Grip of Vengeance. Do you see now? You’re fucked.”

I step out and ready my pistol to shoot at the men in the street. Only, they’re not there.

They have split into two groups, one stalking along the building opposite me toward Rit, the other hugging the wall in front of me. Falcon leads this group, blood seeping over one leg. Rifle pointed at me.

I drop to the ground and wince as my injured shoulder strikes it. A pair of shots goes over my head. I roll back into the alley before they can correct their aim.

Gunfire comes from the other side of the street, toward Rit. After a few bursts, it dies out. There’s no indication of the outcome.

“You know, we get a bump in prestige for taking down members of your special Grip of Vengeance,” Falcon says. Pain is starting to come through in his voice. “There’s a wall of the names of everyone that has done it. And soon I’ll be up there.”

“In your dreams, asshole!” Rit shouts. I let out a breath. He’s still alive.

“Trust me. My counterpart is about here. This little fight is over.”

“Counterpart?” I mutter.

“Hello,” a voice says behind me.

I spin. And look straight into the eyes of a painted bird face. Right before it smashes into my head. My vision goes black for a moment and my legs come out from under me. I hit the ground in a wave of pain. It takes several blinks for me to see well enough to see who had struck me.

The man standing above me is Falcon, with his painted helmet and holographic wings, like a demented angel. But he isn’t bleeding. And he looks different.

Now there are two sets of wings standing over me.

His counterpart. Another man sporting the image of Falcon.

“Get him up,” Falcon 2.0 says. “I want to see how he dreams.”

More men appear around me. One of them drops and everyone ducks. There is a burst of gunfire. Then they’re standing again. Hands grab me and lift me to my feet. Pain flushes through my head as it is forced upright. My knees cave, but someone catches me.

Falcon 2.0 turns and walks the way he had come. I am prompted to follow. Falcon 1.0 labors alongside me.

“Everyone not helping him move, finish off his partner,” Falcon 1.0 says. Several men drop back.

“I thought you wanted on that wall, not those goons,” I say.

“I’ll still get the credit. They don’t even know what we’re talking about,” he says.

“You’ll have to split the credit with me,” Falcon 2.0 says. “You may have shot this one, but I took him down.”

“Why don’t you kill me?” I spit.

Falcon 2.0 laughs. “I knew you Shadows all had a death wish. I’m sure you’ll die. But the Phantom wants someone from your group alive. He thinks he can get you to talk. We’re going to get a headstart. Tell me, what’s your worst nightmare?”

Detective Pikachu

Spoiler free review this time.

Great movie? Not really. But was it entertaining? Yes. Best part: Ryan Reynolds. 100%. As expected. Absolutely hilarious. Some seriously funny cracks out of the little yellow furball. His delivery of them is perfect. But aside from Reynolds, the movie was entertaining. As one of the many people who grew up with Pokemon, it was pretty great to see these monsters come to life on the screen. I loved picking out all of the Pokemon in the background and everything. I especially loved the little Bulbasaurs hopping around. And the cgi was pretty dang good for how much it was in most of the shots.

But apart from that, I can’t honestly tell you it was a great movie. The writing wasn’t great. Besides what felt like the most obvious plot twist in history (that I was 90% sure about from the trailers and just got more sure of throughout the movie) the story was also just weak. I have to remind myself that it is a kid’s movie (despite some of the things out of Pikachu’s mouth, which is great) so I can’t be too hard on it. But it was not great. The story felt way too easy. Like they got several answers so easy. And at the end they fixed things in a moment, which fits the kid’s movie thing I guess, but I wasn’t a fan. There was some pretty rough dialogue in places too. And a few instances (less to do with writing maybe) where it was like “how did they get there that fast?” All around I just can’t say the movie was great from an objective writing standpoint. But it was hilarious and real fun to watch as someone who loved Pokemon. So, if you like Ryan Reynolds and/or (especially) like/d Pokemon, I would recommend. Otherwise, you probably shouldn’t waste your money.

Dorothy Must Die by Danielle Paige

I enjoyed reading this one. I doubt I will read the rest of the series however. Most (but not all) of what follows is negative nitpicking, but if you want to hear everything wrong I found in a pretty good book, keep reading.

The story was interesting and was definitely an interesting take on the world of Oz. I mean, my experience with Oz is watching the movie a few times over the years, the last time probably 5+ years ago, and seeing the Wicked musical a couple of times, so I have very little to compare to, but I found it interesting nonetheless. I can’t really fault the story itself much, but honestly, I just didn’t get that into it, I can’t really put my finger on why. I think I just felt sorta swept along, like Amy wasn’t really that engaged in the whole thing, it felt sorta detached. And in some places it moved slow, in others it was really fast, in a way that pulled me out of it a bit. A way I described it when I was about a fifth of the way through the book (before I got to some of the stuff that went really fast, like her training) was “the writing seems to take a sudden turn sometimes, where I feel jarred. I feel it has moved really fast while also moving quite slow. Not a ton has happened of import I feel like, but so much has happened.” And I stand by that. The first part of the story felt like it was jamming so much in, trying to rush us through the world to show us as much of it as she could before actually getting to the story. None of it felt info-dump-y as it was all done through narrative, but the narrative did very little for the plot. I mean, we met a character that seemed like they would be important, then the character was unceremoniously killed off pretty quick, with barely a mention the rest of the book. Don’t get me wrong, I’m all for killing characters (and the darkness and gore and violence in this book was surprising and awesome) but it really, again, just felt like it had no point. And the author just kinda herded us from one this to the next without time to absorb any of the things that felt like they had no real point to them. She painted a very intriguing picture. That we saw nothing of the rest of the book.

I also didn’t really like the romance. The book being a YA, the whole thing was a given, but I think she could have handled it better. It feels like it was just thrown in almost as an afterthought. It had little effect on the story and happened quick and predictably. I don’t know how it progresses through the series, but so far it feels forced and inconsequential.

There were some instances, too, where I felt pulled out of the world ((hang with me, I’ll get to some of the good things)) because of something that happened or was said. One that stuck out was “Oz History 101” was used as a joke I believe. And that felt out of place. This fantasy world exists alongside ours and has people from our world in it, yes, but the use of how we name classes (correct me if I’m wrong on the origin of that cliché joke) still felt out of place.

I do like the grayness of the story. The question about what is Wicked, what is Good. The main character doing some “bad” things. The bad guys seem totally evil, but the good guys aren’t your classic heroes. And you can’t be sure of anyone’s motivations, or, sometimes, even what side they’re on. Add onto that how brutal and violent it is and you’ve got exactly the kind of thing I like. And the magic was really interesting. How it worked, what it was. I enjoyed reading about it.

I’m going to get into some specifics now. Spoilers (and nitpicking) ahead.

One thing that had me really confused was the plan. It seemed to me that they sent Amy to the city to figure out how to get close to Dorothy and kill her, but then Nox said they had a plan already. They definitely should have told her a bit more, given her a clearer vision of what her role was. Because I had no clue. I imagine this is answered, at least in part, later, but I don’t know why they needed her at all. If Jellia was there, with close access to Dorothy, and they were able to sneak into the ball and eliminate magic, why not just do that and have Jellia slit her throat?

There were issues with the writing itself too. For the most part it was fine, but I kept record of many of the issues. This is where the nitpicking comes into play. Read if you want. Otherwise, just know that I enjoyed reading it, but the other books in the series will not move to the top of my reading list.

A couple of times the writing contradicts itself from one sentence to the next, like the author was trying to make a contrast, but to me it just came off as a mistake
Star ran off but she knew it would be back. The next time the rat is mentioned, it was somewhere on her person again and squealing.
“…and he shut right up. She cut him off…” she isn’t cutting him off anymore if he already shut up. pg. 88
She describes the Scarecrow pretty much how I envisioned him and in a way that is perfectly clear who he is. Then she says he is twisted and warped into something she hardly recognizes. Which is it? This description that is obviously him or “something I hardly recognized?”
She fell asleep, woke up, tried to find the door, fell asleep again, woke up and then “after all the hours locked away in here, al alone, it really did help just to have him sitting next to me.” Felt way too quick. If we were supposed to feel like she was trapped for so long it was good to have another person, it should have been drawn out longer. I got no sense that she was in there for a super long time. Pg. 101
She goes on this big heart-felt thing about how she never liked the rat, but now it had been her companion and she wanted to protect it. I feel it was a little undeserved. I never got much emotion from her on the rat, good or bad. Pg.107
She could feel the cold of the knife in her hand. Last we heard about the knife it had come clattering out of her hand. Pg.117
“What had I gotten myself into” used twice in 3 paragraphs. To me, twice feels redundant. 3 or more feels like intentional repetitiveness. but twice on the some page, then no again, comes off as poor writing. Pg117
She is specifically identifying stone as opal, she is saying she hit him in the solar plexus. This feel forced. I doubt very many high school girls would both see a rock and go “I think that’s opal” and hit a guy and say it was his solar plexus. We have no reason to think she would know about either of those things. She hasn’t identified any rocks before Pg 144 & 149
I call BS on her kicking him in the stomach and making him stumble and surprising him. A kick, especially one hard enough to make a guy stumble that wasn’t even affected by her hardest punch, would not surprise the trained fighter. Kicks take time and hard kicks have obvious warning signs. He should have seen it coming a mile off Pg. 149
Glamora explaining she and Glinda were connected, now they don’t seem to be. Then says there’s a chance killing her would kill Glinda too. Which brings up 2 questions: 1) if you aren’t connected anymore, then it wouldn’t, right? I think it is poor order of dialogue. 2) If that would kill Glinda and you are happy to make that sacrifice, why not commit suicide? Maybe she’s not sure. Pg 174
“I couldn’t help Nox, and Nox couldn’t help me” then half a page later he helps her and they have a short conversation without any indication that the fighting had let up Pg 233
“And then we were surrounded” then, farther down on the same page “we were surrounded” Pg 233
She’s using her knife, then later on the page it says she pulls it out. Theoretically I can make an explanation for that (she dropped it and it vanished, then she retrieved it again), but it doesn’t say it in the page and we aren’t told anywhere if it disappears when dropped so… Pg 233
How did Astrid’s absence go unnoticed?
Dorothy looked at Amy with a Permasmile, then, a couple of paragraphs later, frowns. I was under the impression one couldn’t frown with Permasmile. Pg 315
The whole thing with her getting into the Scarecrow’s lab felt real easy and convenient. She found it no problem. Started the fire no problem. That worked. She got to the greenhouse no problem. The crows did nothing until it was too late. All too easy.
She describes Pete in a way that clearly shows he looks better than usual. Then says “he looked better than normal” explicitly. Feel redundant Pg 385
Wait… so, she is just wearing a different face? How did people not recognize that her voice was different? Pg 402
Pretty sure up to this point just the movie had been mentioned, but suddenly she’d read about this her whole life? Pg 430

Avengers: Endgame *Spoilers*

Some spoilers ahead. You have been warned

——————————–

Holy cow. Up there among my favorites without a doubt. I’ve never seen anything with this much buildup, this much going into it, something that had to be handled so well because it was the payoff for so much. And they did it as well as you could ever hope.

I went into it having mostly successfully avoided seeing anything about it. I had seen some images, but avoided watching any footage. So, while I had some guesses I was pretty sure about (like time travel), I had no idea what the story as a whole was going to be. I was worried they were just going to undo the whole last movie or more. I was very pleasantly surprised with how it went. These last two Avengers movies really felt like wonderful pieces of writing to me. They go against the typical superhero and Disney stories to be dark and have real consequences and real conflict within each side. Some serious twists I truly didn’t expect. And all with a healthy dose of humor. And callbacks. It felt like half the script was references and callbacks, but done in a way that felt natural while giving us the memories.

I really liked seeing how each character handled what had happened. Each one was different and felt very true and real. I really did not expect the time jump, so seeing how they settled into their new reality was a truly pleasant surprise for me.

Seeing the characters past and present, was wonderful and a great way of wrapping up their stories. Seeing how they had changed (and how they hadn’t) emphasized their arcs and made us really feel for them and the time we had with them. And at the end I feel like each one got what they needed, all (or at least the vast majority) of their arcs came to a natural and fulfilling conclusion, or new jumping off point for the characters that will keep going.

And I just have to say how much I loved Cap getting to use Mjolnir. Everyone is saying it, but for real, that was just awesome. And he and Thor’s interactions after that were fantastic.

I’ve heard complaints about some of the characters not getting enough screen time and Cap and Tony getting too much. But I disagree. While this movie was an ending for the original Avengers as a whole, it was really for those two. They were the bedrock of the Avengers. Cap was “The First Avenger” and their leader. Tony was the first we saw on screen and the other driving force for so long. They deserved the biggest sendoff. They deserved to have the last movie be about their arcs. That’s my two cents on the subject.

I was extremely worried that Captain Marvel would be a deus ex machina and ruin the whole movie. But they handled it well. When she got decked by Thanos I almost cheered, just because that was a moment of relief for me; I knew then that it would be a struggle even with her and that the victory could go to one of our orginal beloved characters. When she joined the MCU I was very worried she would ruin it with the Superman-effect. But they managed to avoid it, which I am very grateful for.

I had a couple of minor complaints, but nothing big. One was I couldn’t figure out Ronin’s bow. Like, it seemed to come out of nowhere, then he threw it aside, next thing I knew he had it again. Maybe I missed something, but I was a little confused.
Another was that moment where the women all came together to help Captain Marvel get to the van. I appreciate the moment, but the way it was set up felt forced. My first thought when they said she’s not alone was “yeah, but does she really need you? She could just flame on and plow through the enemy or fly over.” It was a cool moment that, from a story perspective, had zero effect, because she ended up doing exactly what I said she could have. But I understand why they did it and that I’m not who it was for anyway. I just feel they maybe could have made it more impactful to the story and more organic.

Overall, I think it was a truly great way to wrap up the original Avengers’ story. I loved almost every minute of it. It didn’t feel nearly as long as it was. I am sad it is over, but don’t feel robbed or unfulfilled at all.

How many different synonyms for “great” did I use in this review?
And I didn’t even get into the visuals and acting. This review barely touched this awesome, long movie. So just go see it. Not that I think anyone is unsure about whether they will watch it or not or that I would sway them if they were.

A Battle with Menluear

I stand in a valley. It isn’t beautiful, it isn’t picturesque, it is a simple valley. A small stream snakes down the middle, edged by sparse bushes. The only other vegetation is the tall, course grass that covers the ground, but for a few patches of bare dirt. The nearest trees are on the tip of the small mountain directly behind me. Even the other low peaks are barren. It is not a place I want to die, but not a place I want to live either.

I am at the edge of one of those few bare patches of dirt, the largest of them in fact. The ground is cracked and dusty. There are two pairs of identical footsteps; one pair belongs to me, the other to the thing across from me.

That thing could almost pass as human. It is an ugly thing. Like someone tried to make a copy of me, but got all the good parts wrong. And yet at first glance you could almost believe it really was me. Same red hair, same beard, same body. But look closer. Its eyes, they’re hollow and dead. And see there, those scars are like from stitches. It isn’t me. It is a hollow, crafted thing.

And I am attached to it by puppet strings. They swing gently just above the dirt, stirring the dust. Slack, at the moment.

“What are you?” I ask the Beast.

“We’re you,” my voice answers from the Beast’s mouth in an unctuous tone. “I’m more you than you are.”

Somehow I almost believe him. He does look like me. But, “no! Liar.”

The Beast hoists an arm and the puppet string yanks mine into the air. My shoulder is jarred.

“See? We’re one in the same. Only, I control us,” it says.

He has a point. Only. . . I’m holding the strings. How I missed that fact, I’ll never know. But now I bring my arm back down, dragging the Beast’s with it.

“No,” I say, “I made you. You’re my puppet.”

The Beast yanks hard, making me stumble forward onto a knee. The dust fills the air around me, stealing the moisture from my mouth and throat, choking me. It pelts my eyes, drawing tears.

“Are you sure about that?” the Beast’s ingratiating mockery of my voice asks.

I rise back to my feet and stare down the monster. “Pretty sure.” I yank on the strings.

Only, nothing happens. The Beast braced itself and held strong. Now it smirks. “Then why am I the one with all our strength?”

I give another tug on the strings. I don’t even faze him. I can’t fight him, I have to run, to hide. But no, I need to get past it. I am tired of living in the wilderness, what’s past it is the Mountainous City, full of people, full of life. No, I must get there.

I yank again. Still nothing. The Beast grins back at me.

Then, as it looks over my shoulder, its smile fades. What could almost pass as fear flashes across its face.

I look back to see what frightens it. Three men are walking through the valley toward us. They brush the grass gently aside, moving no faster nor slower than they ought. As they draw near, I see one is older–at least I think he is, the sun is positioned directly behind his face and I can’t see it clearly–but strong, his muscles stretching the shirt he wears. He is terrifying, but I can just make out a gentle smile on his face. He has a hand on the shoulder of the second man, a younger man with neat beard. The Younger also smiles, a wider jovial expression. He waves at me and says something to the older.

The third man floats, or at least that is how it seems as I can’t see his feet for the grass and he moves smoothly with no bobbing up and down, between but behind the other two. Now that he is closer, this man seems almost more ghost than man. Like a thick steam, I can almost see through him.

The strings in my hands jerk forward and I go with them, losing sight of the three men and hitting the dirt on all fours. Cold, then burning, claws at my knees. As I stand again I see that they are bleeding.

“Here, let me.” The three men have reached me now. It was the Younger, at a nod from the Older, that spoke. He kneels beside me. One touch of his hand and the pain disappears.

The ghost-like man hovers behind my back. I shoot him an unsure look. This close he is even more transparent. I can’t clearly make out his face, but from what I can tell he might be a brother to the Younger, who is now standing.

“He will help,” says the Younger, resting a hand on my shoulder reassuringly.

Before I can ask what he means, the ghostly man walks forward, straight into me. He vanishes as we come into contact. Warmth spreads all through me, starting in the chest and burning outward like a fire. The sensation seems to strengthen my muscles.

I turn back and the Beast, which had seemed so strong and terrifying before, now looks a little frail. That is definitely fear on its distorted reflection of my face.

The Younger reaches out and takes a hold of the strings in my right hand. He smiles and me and grips the strings firmly.

The Older grabs those in my left hand. He stays facing the Beast and I can only see the back of his head.

With their added strength, I make the Beast dance. First a little jig. Then some swing. A waltz with an imaginary partner. Then I punch itself in the face. I laugh, exuberant at my power over the Beast.

Then the two men let go.

My laugh dies. My arms go slack. “What are you doing? I need you!”

The puppet strings go tight and I lurch forward. For the third time, my knee hits the ground.

I drop the strings and stand. I raise my fists at the Beast.

“That’s cute,” the Beast laughs.

I don’t even see its fist coming. It catches me right on the cheekbone. A lightning bolt of pain shoots through my head. My vision goes black.

My cheek is pressed into the dirt.

I roll onto my back and open my eyes. The Beast grins down at me. He doesn’t look so frail anymore.

He kicks me with a force that sets my organs pinballing off each other. I gasp, but my lungs refuse to fill. At least one rib stabs me with jagged edges. The Beast winds up for another kick.

But then he backs off. Now it is the Younger standing over me. There are tears in his eyes.

The Younger offers me his hand. I take it and, whimpering, I get to my feet. He places a hand on my side. Once again, one touch and the pain vanishes. He wipes away the blood and dirt on my cheek, leaving healed skin behind.

“Here, take these,” says the Younger, motioning to a suit of armor now laid out on the ground beside him.

He hands me the belt and I tighten it around my waist. I need his help to get the shaped cuirass on, but we get it fit snugly around my torso. Next, the boots of hardened leather, almost like tall sandals laced over the foot and up my lower leg. The tall shield I take in my left hand. The Younger slides the helmet over my head, folding my ears over.

Finally, all that’s left is the sword. This the Younger picks up and grabs the flat of the blade with both hands, offering me the hilt. I take it.

I don’t have time to search for a sheath for the blade as the Beast charges me. I sidestep and take a downward swing with my new weapon. Blood flashes in the low sun, splattering across the dirt.

The Beast stops and rounds on me, unfazed by the gash down its hip and thigh. It braces itself for another charge.

This time, while I am still able to make contact with my blade, the Beast gets ahold of my arm and twists as it passes. I feel things break and the bone bursts from the skin. My own blood sails through the dust-filled air and joins the Beast’s on the dirt. The sword falls from my grasp.

I would scream, but my chest tightens, squeezing all of the air out of my lungs. My stomach turns over. I feel myself flush and my eyes flutter. My knees are on the ground again.

The Younger picks up the sword and wipes it clean on his clothes, which, I vaguely notice, stay clean themselves. Tears blur my view, but I see the Younger kneel next to me. He holds the hilt of the sword to me.

I can’t take it, doesn’t he see that?

He takes my hand and moves it to the weapon. By the time the handle is in my hand, the bone is back where it should be and the skin is in one piece. The pain retreats and I wipe away my tears on my shoulder.

The Younger smiles at me. “Trust the shield,” he says.

I look at the piece of wood in my left hand. It is thick and sturdy, but still, the memory of the power behind the Beast’s blows is fresh in my mind. “I don’t think it will stop him,” I bemoan.

“Trust.” The Younger stands and backs up.

I shake my head, but each of my attempts has left me more injured than the last. And, while it is bleeding from two deep wounds, the Beast still stands tall. It readies a third charge.

I meet it with the shield this time. The blow is mighty and I slide backward in the dirt, leaving ruts. My arm goes numb. But I remain standing and unhurt. I look at the Younger; he is grinning at me.

Then another blow hits my already numb arm. I am knocked over, flat on my back. Somehow, I keep the sword in my hand. The shield stays on top of me. One peek around it is all I need to see the Beast ready to stomp on me. I brace and it comes, a painful hit that knocks the air out of me. I just have time to gasp my breath back before the next stomp evicts it again. My body doesn’t seem to want to listen to me, I can’t move. I will lie here, slowly beaten into the earth, buried alive.

Two more of the strikes I endure before I am able to get my sword arm working.

Warm blood sprays my face.

The Beast reels backward.

I use the shield and sword to help me climb to my feet. Hoisting them, I look my adversary up and down. It is hunch in slightly, it’s chest heaving. Blood flows steadily from its leg, its side, its hip. It is still ready to fight, but finally looks worn.

As for me, I feel bruised and my arm is numb, but the only blood on me belongs to the Beast.

The Younger squeezes my shoulder and all my pain goes away. Feeling returns to my arm.

The Beast continues to add to the scarlet pool at its feet.

I tuck the shield in front of me, placing the flat of my blade against its side. I take short steps toward the Beast, bringing the tip of my sword closer to it with each one.

Captain Marvel

Hey, I’m reviewing something again! Would you look at that?

I am trying a more in-depth review this time, so [MINOR SPOILERS AHEAD]

Honestly? Better than I expected. I admit, I went into it not expecting much and was pleasantly surprised. It isn’t the strongest entry in the MCU, but it is leagues above the DCEU (sorry, not sorry).
Overall, it had a fairly strong, if mostly predictable story. Some of it was a little clunky. It had a problem with exposition in the beginning, but the later info dumps actually felt reasonably natural and a part of the story.
There were a couple of places where it felt like there was no payoff to a seed that was planted. Specifically, I am thinking about during the escape, Talos told his wife to cover their kid’s eyes before shooting someone, but the kid sees. Then absolutely nothing came of it. Had they left it with him saying to cover the eyes, then it would have been a good moment of seeing his protectiveness of his child. But they showed us the kid seeing the bodies. Which should have meant it would affect the kid in some way. And it didn’t seem to, so it was superfluous.
There were a couple of other scenes that didn’t really make sense. Like in the montage of seeing her stand after falling all those times, one of the scenes we saw in its entirety before, and I don’t recall her doing any such standing that time, which leaves me confused about whether she is remembering or imagining these scenes.
The climax suffered from Superman syndrome, in that, especially one her full power was released, she was never in any danger. I never feared for her life. Never even feared she would fail. Even when the danger wasn’t to her directly, I wasn’t afraid, because I knew she would show up and save the day. Part of that is because they didn’t ramp up the tension at all. When the big danger showed up, I never wondered if she would succeed. Then it was over. The big danger was defeated so fast after it showed up and without any problems that it felt like a waste. No surprise there, as I knew going in that she was going to be way overpowered.
They did, however, subvert my expectations a couple of times, in a good way, namely with Fury’s eye. I expected it to be this big plot point. Then they went a completely unexpected route with it. I especially appreciate that because I think too many prequel-like stories try too hard to explain things that don’t really need explaining. In most cases I wish they woukd let mysteries be mysteries, but I think this one was superbly under-played, liie they were laughing at those other prequel-like stories. It also wasn’t as in-your-face pro-woman, anti-man as I honestly expected it to be. It didnt sacrifice story for moral, which I really appreciate. Nothing should take precedence over story in a story, in my opinion.
Characters. I liked Talos, I like Fury obviously. And Coulson. Maria and Monica were great, and the other supporting characters were nothing to complain about, but I personally did not really like Carol Danvers. Being unlikable doesn’t make a bad character, so I don’t dock any points for that (and I’m sure plenty of people really like her), but she did have a few problems with delivery of some lines that were not very well written and several of her lines felt forced. Her actions also sometimes came across a little flat to me. I don’t know how much of that was Brie Larson, how much was the writing, how much was the direction. It just didn’t work real well for me. When the main and title character is the worst part of the movie, I feel like that’s a problem.
The rest of the acting was good, however. I always love Samuel L. Jackson. I am a fan of Ben Mendelsohn as well. Clark Gregg doesn’t disappoint. Jude Law also deserves props. All around, I had no problems with any characters or acting besides Danvers/Larson.
In terms of being an addition to the MCU, I think it fits pretty well. There were a couple of continuity errors that I caught, and I’m sure more superfans will find. But that is to be expected in any addition to a large universe, particularly with a prequel-like story.
I would say this movie deserves a good 7/10. I would recommend it.